autotrain_text
stringlengths 52
6.11k
| autotrain_label
class label 2
classes |
|---|---|
I rented I AM CURIOUS-YELLOW from my video store because of all the controversy that surrounded it when it was first released in 1967. I also heard that at first it was seized by U.S. customs if it ever tried to enter this country, therefore being a fan of films considered "controversial" I really had to see this for myself.<br /><br />The plot is centered around a young Swedish drama student named Lena who wants to learn everything she can about life. In particular she wants to focus her attentions to making some sort of documentary on what the average Swede thought about certain political issues such as the Vietnam War and race issues in the United States. In between asking politicians and ordinary denizens of Stockholm about their opinions on politics, she has sex with her drama teacher, classmates, and married men.<br /><br />What kills me about I AM CURIOUS-YELLOW is that 40 years ago, this was considered pornographic. Really, the sex and nudity scenes are few and far between, even then it's not shot like some cheaply made porno. While my countrymen mind find it shocking, in reality sex and nudity are a major staple in Swedish cinema. Even Ingmar Bergman, arguably their answer to good old boy John Ford, had sex scenes in his films.<br /><br />I do commend the filmmakers for the fact that any sex shown in the film is shown for artistic purposes rather than just to shock people and make money to be shown in pornographic theaters in America. I AM CURIOUS-YELLOW is a good film for anyone wanting to study the meat and potatoes (no pun intended) of Swedish cinema. But really, this film doesn't have much of a plot. | 0NEGATIVE
|
My girlfriend once brought around The Zombie Chronicles for us to watch as a joke. Little did we realize the joke was on her for paying £1 for it. While watching this film I started to come up with things I would rather be doing than watching The Zombie Chronicles. These included:<br /><br />1) Drinking bleach 2) Rubbing sand in my eyes 3) Writing a letter to Brad Sykes and Garrett Clancy 4) Re-enacting the American civil war 5) Tax returns 6) GCSE Maths 7) Sex with an old lady.<br /><br />Garrett Clancy, aka Sgt. Ben Draper wrote this? The guy couldn't even dig a hole properly. The best ting he did was kick a door down (the best part of the film). This was the worst film I have ever seen, and I've seen White Noise: The Light. Never has a film had so many mistakes in it. My girlfriend left it here, so now I live with the shame of owning this piece of crap.<br /><br />News just in: Owen Wilson watched this film and tried to kill himself. Fact.<br /><br />DO NOT WATCH | 0NEGATIVE
|
I saw this film opening weekend in Australia, anticipating with an excellent cast of Ledger, Edgerton, Bloom, Watts and Rush that the definitive story of Ned Kelly would unfold before me. Unfortunately, despite an outstanding performance by Heath Ledger in the lead role, the plot was paper thin....which doesn't inspire me to read "Our Sunshine". There were some other plus points, the support acting from Edgerton in particular, assured direction from Jordan (confirming his talent on show in Buffalo Soldiers as well), and production design that gave a real feel of harshness to the Australian bush, much as the Irish immigrants of the early 19th century must have seen it. But I can't help feeling that another opportunity has been missed to tell the real story of an Australian folk hero (or was he?)....in what I suspect is a concession to Hollywood and selling the picture in the US. Oh well, at least Jordan and the producers didn't agree to lose the beards just to please Universal...<br /><br />Guess I will just have to content myself with Peter Carey's excellent "Secret History of the Kelly Gang". 4/10 | 0NEGATIVE
|
I was excited to view a Cataluña´s film in the Berlin´s competition. But after the presentation I was total disappointed and furious. Too much blood, too much time, too much themes for nothing. The Spanish Civil War, like every war, was horrible. The revenge, a very human behavior, not pretty at all, is shown in uncountable films and plays, as well as the relations between homosexuals and the scepticism in Spain about Catholicism . But what Mr Villaronga try, is a pseudo tragedy that can belongs to the worst of the film´s history. It is really a pity to see Angela Molina in this movie. I advise nobody under no circumstances to go to see this film. | 0NEGATIVE
|
Terrible movie. Nuff Said.<br /><br />These Lines are Just Filler. The movie was bad. Why I have to expand on that I don't know. This is already a waste of my time. I just wanted to warn others. Avoid this movie. The acting sucks and the writing is just moronic. Bad in every way. The only nice thing about the movie are Deniz Akkaya's breasts. Even that was ruined though by a terrible and unneeded rape scene. The movie is a poorly contrived and totally unbelievable piece of garbage.<br /><br />OK now I am just going to rag on IMDb for this stupid rule of 10 lines of text minimum. First I waste my time watching this offal. Then feeling compelled to warn others I create an account with IMDb only to discover that I have to write a friggen essay on the film just to express how bad I think it is. Totally unnecessary. | 0NEGATIVE
|
I saw the capsule comment said "great acting." In my opinion, these are two great actors giving horrible performances, and with zero chemistry with one another, for a great director in his all-time worst effort. Robert De Niro has to be the most ingenious and insightful illiterate of all time. Jane Fonda's performance uncomfortably drifts all over the map as she clearly has no handle on this character, mostly because the character is so poorly written. Molasses-like would be too swift an adjective for this film's excruciating pacing. Although the film's intent is to be an uplifting story of curing illiteracy, watching it is a true "bummer." I give it 1 out of 10, truly one of the worst 20 movies for its budget level that I have ever seen. | 0NEGATIVE
|
This film is a calculated attempt to cash in the success of Sex in the City and Four Weddings and a Funeral. In fact, if they'd called it Sex at a Funeral, they might have done better at the box office.<br /><br />But the film falls between two stools and can't get up. The characters spout improbably bright dialog, but never act in any way remotely recognizable as human. One arbitrary, senseless action follows another to advance what passes for a plot, and one soon tires of the falsity of the whole enterprise.<br /><br />Andie MacDowell gets points for acting her little heart out, but the performing honors are stolen by Imelda Staunton, as of all things, a police detective (don't they have a height requirement over there?). Ms. Staunton seems unable to make a false move. Would that we could say the same about the writer-director.<br /><br />If Notting Hill annoyed you as being bogus, stay away from this one. Phonus bolognus on the half-shell. | 0NEGATIVE
|
Horrible film with bits of the Ramones strewn about. Your worse than average 1970's/80's comedy format of the cool kids taking over the school with some whimsical plan. This movie is terrible. The plot consists of a girl who enjoys the Ramones and a school bent on fighting against their oppressive administration. Forget this movie and watch something like Wild Zero starring Guitar Wolf if you want an entertaining B movie. Terrible acting, terrible writing, terrible plot with the stamp of approval of the Ramones who probably needed some money quick so they said yes to this movie. That is the only logical thing I can think of because this movie blows. | 0NEGATIVE
|
This is an action Western. James Steart leads an all star cast in the scenic Northwest, which is filmed in great splendor. The scenery and costumes are great. There is action and adventure. Stewart plays a wealthy cattleman who runs afoul of a crooked government in the old Nothwest.<br /><br />The main drawback is the stereotypical cynic that Hollywood has always made into a hero. Even when this movie was made, the cynic was the stereotypical hero, and the one Stewart portrays really has few saving graces. He is kind to his two partners, and that does give him an extra dimension of credibility and likability.<br /><br />However, he is so piggish to everyone else, it is hard to really care for him, or to accept him. He is much like the one dimensional spaghetti Western characters (cut not that bad).<br /><br />Still, the minor characters are quite enjoyable. Walter Brennan, Royal Dano, Harry Morgan, and others make this worth watching. | 0NEGATIVE
|
Warning Spoilers following. Superb recreation of the base in Antarctica where the real events of the film took place. Other than that, libelous!, scandalous! Filmed in Canada; presumably by a largely Canadian crew and cast. I caught the last half of this film recently on Global television here in Canada. Nothing much to say other than how thoroughly appalled I was at what a blatant piece of American historical revisionist propaganda it is; and starring Susan Sarandon of all people! I can only assume that Canadian born director Roger Spottiswoode was coerced to make the USAF the heroes of the film when in fact the real rescuers where a small private airline based in Calgary; Kenn Borek Air. | 0NEGATIVE
|
Well the reason for seeing it in the cinema was that it was a sneak preview, else I would never have seen this terrible teenage slasher movie. I mean haven't we had enough of this yet? Scream and Scary Movie at least did not take them self serious! The plot sucks, and the acting is the worst I've seen. (Only Godzilla can compare, which is also the only movie that competes in being the worst I've seen in the cinema with this one.)<br /><br />There is so many plot holes in the story, and the girls are so alike, that you don't even now who has been killed, and who has not. (and you don't care.) The only of them I knew in advance was Denise, and she was the most talent less actress I have ever seen in this bad excuse for a movie.<br /><br />Stay as far away from this movie as possible. (2/10) | 0NEGATIVE
|
Larry Buchanan. Yep, same guy who did "Attack of the THE Eye Creatures" and two (count 'em: TWO) conspiracy movies about Marilyn Monroe. He's to blame, here.<br /><br />Adding onto his ever-growing pile of folders left over from Oliver Stone's "eh-I-grew-out-of-it" conspiracy drawer, here's "Down On Us (i.e.- "Beyond the Doors") which is the working definition of historical inaccuracy.<br /><br />Forget everything you THOUGHT you knew about Jimi Hendrix, Janis Joplin and Jim Morrison, says Big Lar', cuz this is the real deal! Y'see, the three big names in rock of the '60s were KILLED BY THE GOVERNMENT because they were subversives or counter-productive to Truth, Justice and the American Way, or sumpthin' like that there. I knew it all along.<br /><br />Anyway, three people (Chatman, Meryl, Wolf) who look eerily like their real life shadows (that is, if you completely close your eyes, turn your backs and walk five miles away from them) show that instead of their recorded deaths, the good old US of A put hits out on them! Yep, it's the truth!<br /><br />Man, I cannot believed I watched this movie. It's facts, when not stretching credibility to the snapping point, are ludicrous; the acting makes TV commercials look like high drama and if you honestly watch it through to the end, you deserve the "twist" ending. You really, really do; I swear. Genius.<br /><br />But like the man said: "Rock and roll is dead - long live rock and roll."<br /><br />Not this flick, though.<br /><br />No stars for "Down on Us". And that's the movie audience describing the film, by the way.... | 0NEGATIVE
|
Unlike "The Adventures of Buckaroo Banzai", or "Big Trouble in Little China", or "Conan the Barbarian", which are horrible films that have a certain coolness and self-deprecating humor that turn them into cult sensations, The Golden Child is just plain bad.<br /><br />The premise itself is not unworkable, and there are some funny moments. But here the Eddy Murphy "flip attitude" just deflates any feeling of tension or danger in the story. And the special effects are silly enough to do more damage to that tension. The "mystic secrets" of Tibetan Buddhism are lampooned rather than drawn upon to compel.<br /><br />Without a feeling that anything is at stake, or that the characters are faced by real danger, why should we care?<br /><br />Who should see this film:<br /><br />-- big fans of Eddy Murphy who can't help themselves<br /><br />-- I can't think of anyone else<br /><br />I'll give this film a 4 out of 10 for the occasional joke that worked. | 0NEGATIVE
|
I picked up this movie for $5 dollars at a discount book store, Adam Sandler is a awesome actor and i figured it would be a good movie, well, it wasn't. There was absolutely no story line at all, bad jokes, and the other comedian said "The F-Word" every other word he said,cursing usually dosen't bother me but this was over the top. And even worse than the lack of story line was the parts when Sandler would just begin talking into the camera at random parts in the movie, it reminded me of Dora the Explorer when they turn and look at the screen and ask you questions. And last of all is when they would randomly put in Bikini shots of girls at random times in the movie. In my opinion, Don't buy this movie, its a waste of money | 0NEGATIVE
|
What made the original Killer Tomatoes fun was it was made by people with no budget who were just being wacky for a couple of days...<br /><br />This was something with a budget, but it just wasn't as much fun. John Astin of Adams Family fame is actually making an effort here to be comedic, but he is supported by lame actors, cheap special effects and unfunny gags.<br /><br />The plot. Dr. Gangrene (Astin) escapes from a French prison and decides he is going to put a pretender on the throne of France... The hero, his French girlfriend and the Gizmo-like "Fuzzy Tomato" decide they are going to stop him...<br /><br />Forgettable Direct to Video nonsense... | 0NEGATIVE
|
...that Jamie Foxx would ever deliver such a wonderful, Oscar-winning performance. One of the reasons why I was so impressed with Foxx's performance in "Ray" was because from watching his hammy, obnoxious acting in movies like "Bait" and "Booty Call," I would never imagine he would ever hold the Oscar. If people told me five years ago that Jamie Foxx was one day going to win an Oscar, I would laugh right in their faces. Who knows? Maybe he's better off sticking to drama, because if you watch "Bait," it's clearly evident that comedy is not his forte. I swear, Jamie mugs so much in this movie that I'm surprised his face didn't fall off. And why does he have to do those stupid voices at every chance he gets? Anyone familiar with comedians like Bob Newhart and Steven Wright knows that doing comedy doesn't require being loud and obnoxious. If a joke is funny, it's funny. If it's not funny, then doing some crazy accent is not going to make it any funnier. The problem I have with some comedians who decide to try acting is that they favor getting laughs over being in character. In real life, normal people don't always have witty comebacks and quips. Like Albert Brooks said in an interview discussing his character in "Taxi Driver," it's important to be funny as your character, rather than be funny as a comedian. A prime example of Jamie violating that rule is the nauseatingly awful scene where his mug shots are being taken, and he starts posing for the photographs like a model. If a regular person were being thrown in jail, would he really be acting goofy while having his mug shots taken? And wouldn't the police try to scold him if he was? There are many scenes like that throughout the film. Another awful sequence is one where Jamie is on the unwittingly on the phone with the villain, and he starts doing a phony Caribbean accent. Not funny! Not to mention Jamie never seems to acknowledge the timing of a joke. Giving a comedic performance requires patience, whereas he goes straight to the punchline, whether it's the right time for it or not. I'm not even a big Mike Epps fan, but even his performance is good in comparison to Jamie's. As a matter of fact, this is the first time I felt somewhat relieved whenever he would appear on screen. Epps has the same flaws when it comes to comedy, but at least he chooses a more low-key approach. One of the few bright spots in this clunker of a comedy is David Morse, a highly underrated actor mostly known for his supporting roles as villains. He seems to be the only actor in the film concerned with grounding it in reality. However, fellow "Green Mile" star Doug Hutchison is disgustingly over-the-top as the villain. A big surprise, considering he gave a superb performance in "The Green Mile," also playing a heavy. Antoine Fuqua has proved his directing chops in movies like "The Replacement Killers" and "Training Day." Even in "Bait," he shows he can direct a hell of an action sequence. His only problem seemed to be in disciplining Jamie Foxx, who probably improvised half the script with one bad joke after another. Unless you're a die-hard fan of Foxx, please don't take the bait. | 0NEGATIVE
|
This was an incredibly stupid movie. It was possibly the worst movie I've ever had the displeasure of sitting through. I cannot fathom how it ranks a rating of 5 or 6............. | 0NEGATIVE
|
I used to LOVE this movie as a kid but, seeing it again 20+ years later, it actually sucks. Up The Academy might have been ahead of it's time back in 1980, but it has almost nothing to offer today! Movies like Caddyshack and Stripes hold-up much better today than this steaming dogpile. No T&A. No great jokes except for the one-liners we've all heard a million times by now.<br /><br />I recently bought the DVD in hopes that it would be the gem I remembered it being. Well, I was WAY off! The soundtrack had only 2-3 widely-recognizable hits (not the smash compilation others had mentioned) and the frequent voice-overs were terrible. The only thing that was interesting, to me, was predicting what the character's lines were before they said them. Yep, I watched this movie that much back then! <br /><br />The only reason I am writing this review is to give my two cents on why this movie should be forgotten, sorry to say. :( | 0NEGATIVE
|
One thing that astonished me about this film (and not in a good way) was that Nathan Stoltzfus, who seems to pride himself on being the major historian on the topic of the Rosenstrasse, was one of the historians working on this film, considering how much of the actual events were altered or disregarded. <br /><br />Another reviewer said that von Trotta said she never meant for Lena to bed Goebbels, but in that case, why did she give every impression that that was what had happened? Why not show other possible reasons for the mens' release, such as the disaster that was Stalingrad, or the Nazis' fear that the international press, based in Berlin, would find out about the protest.<br /><br />Also, why did the whole storyline play second fiddle to a weak family bonding storyline that has been done over and over again? Surely something as awesome as this could carry its own history! In places, it was as if the film had two story lines that really seemed to have little in common.<br /><br />Overall, this film failed in its aim, which was to draw attention to a little-known act of resistance, which is a shame, because done better, it could have had a major impact. | 0NEGATIVE
|
For those who'd like to see this movie? I'd say: go! Without the narration it might be a very good movie/documentary. But the music, the narration and some of the implemented story lines make it very hard to watch for a sceptic person like me. Following several animals, their life in several seasons one gets the feeling that it is an animal soap we're watching. But the melodramatic point of view just doesn't cut it for me, moreover if a predator finally catches up on a prey (one exception left there) the camera zooms out or skips to another scene. I ask myself why that happens, if they were to show reality, why cut the scenes that a melodramatic fairytale remains? I think the moral is important for the mass of the crowd, cause after all: it would be a waste to destroy this beautiful planet. | 0NEGATIVE
|
When I ordered this from Blockbuster's website I had no idea that it would be as terrible as it was. Who knows? Maybe I'd forgotten to take my ADD meds that day. I do know that from the moment the cast drove up in their station wagon, donned in their late 70's-style wide collars, bell-bottoms and feathered hair, I knew that this misplaced gem of the disco era was glory bound for the dumpster.<br /><br />The first foretelling of just how bad things were to be was the narration at the beginning, trying to explain what cosmic forces were at play to wreak havoc upon the universe, forcing polyester and porno-quality music on the would-be viewer. From the opening scene with the poorly-done effects to the "monsters" from another world and then the house which jumps from universe to universe was as achingly painful as watching an elementary school production of 'The Vagina Monologues'.<br /><br />Throughout the film, the sure sign something was about to happen was when a small ship would appear. The "ship" was comprised suspiciously of what looked like old VCR and camcorder parts and would attack anyone in its path. Of course if moved slower than Bob Barker's impacted bowels, but it had menacing pencil-thin armatures and the ability to cast a ominous green glow that could stop bullets and equipped with a laser capable of cutting through mere balsa wood in an hour or two (with some assistance).<br /><br />Moving on... As the weirdness and bell bottoms continue... We found out that they're caught in a "Space Time Warp". How do we garner this little nugget of scientific information? Because the oldest male lead tells his son that, in a more or less off-the-cuff fashion, like reminiscing about 'how you won the big game' over a cup of joe or an ice-cold bottle of refreshing Coca-Cola. Was pops a scientist? Nope, but he knew about horses and has apparently meddled as an amateur in string theory and Einstein's theories.<br /><br />The recording I watched on DVD was almost bootleg quality. The sound was muddy and the transfer looked like it had been shot off a theater screen with the video recorder on a cell phone, other than that, it was really, really, really bad. (There's not enough 'really's' to describe it, really).<br /><br />I know some out there love this movie and compare it to other cult classics. I never saw this film on its original release, but even back then I think I would've come to the same conclusion: bury this one quick. | 0NEGATIVE
|
Spirit of a murdered high school geek animates a scarecrow which then takes revenge on everyone.<br /><br />This movie really annoyed me. It has a great looking monster, has some good low budget effects, some atmosphere but manages to short circuit the good stuff with bad. Half way in I started to fast forward and then step through the chapters on the DVD.<br /><br />The problems with this movie are many. First off the cast looks about thirty and yet they are suppose to be in high school. You don't believe anything from the get go as a result. The scarecrow, while looking great isn't much beyond that. He says stupid one liners and moves in a manner more designed to be funny then scary. Is this a comedy or a horror movie? Its a problem that goes beyond the one liners to much of the dialog and set up. It seems more send up of every cliché than heartfelt horror film. I some how expect that the film was made for a very narrow audience in mind, horror fans who want to mock the genre rather than embrace it.<br /><br />Despite the good looking monster this is a film to avoid. Even if you pick it up in the bargain bin for under five bucks, you're paying too much.<br /><br />Avoid. | 0NEGATIVE
|
!!!!! OF COURSE THERE'S SPOILERS !!!!! I'm sure this project started off as a screen writing workshop on avoiding clichés in horror movies: Female protagonist - Check Bad things happen to drug takers - Check Heorine knocks out villain - Check Heroine doesn't notice villain recovering unconsciousness - Check Frame the sequence so we see recovered villain creep up behind heroine - Check Unfortunately it seems someone has sent this cliché list to a film studio instead of using it for class . Dear oh dear if only London transport was as regular as the clichés turning up here . In fact there's so many clichés and seen it all before moments that no one actually thought about going into detail as to what the eponymous creep is or how long he's been killing people on the underground . I'm led to believe it's the result of some human experiment and perhaps it's not until that night he decided to take his revenge out on humanity but all this is so vague as to be meaningless Not to be totally negative I doubt very much if the producers thought they'd be making a film that was going to sweep the Oscars that year and there's always a market for horror movies . Likewise I doubt if it cost too much produce and had one eye on the DVD market rather than cinema distribution and I will state that it's slightly better than 1972's DEATH LINE which also featured a murderous cannibal hiding in the London underground . it's just that when you think all the clichés have been used up in this film another cliché comes along to raise its ugly head | 0NEGATIVE
|
Hi folks<br /><br />Forget about that movie. John C. should be ashamed that he appears as executive producer in the credits. bon jovi has never been and will never be an actor and the FX are a joke.<br /><br />The first vampires was good ... and it was the only vampires. This thing here just wears the same name.<br /><br />Just a waste of time thinks ...<br /><br />JAKE Scorpio | 0NEGATIVE
|
I've been going through the AFI's list of the top 100 comedies, and I must say that this is truly one of the worst. Not just of the 90 movies on the list I've seen, but of any movie I've ever seen. Drunks are funny sometimes, Dudley isn't. Liza almost made it worthwhile, but alas... just go watch Arrested Development if you want to see her in something good. Seriously, Dudley laughing and drinking is supposed to be funny? I would highly recommend almost ANY other movie on the AFI's top 100 comedies for more laughs than this. If you want to see a funnier "drunk", try The Thin Man. Funnier movie in general, any Marx Brothers movie will kill (especially if you're as drunk as Arthur). | 0NEGATIVE
|
Almost as tedious to watch as it was to read, Evening is a gorgeously produced failure...until Meryl Streep walks in and quietly shows her other cast members how to act this kind of stuff. Vanessa Redgrave is shockingly off in her role as the dying Ann and Claire Danes is a cipher. Perhaps if Vanessa and Claire had switched roles we could have seen the vibrancy in the young Ann that gave her entrée to the rarefied world of the story and we could have imagined that the older Ann actually was dying. <br /><br />I was hoping the addition of Michael Cunningham to the writing credits would smooth out the jumpy storytelling but alas. It gave me a headache. | 0NEGATIVE
|
My children watch the show everyday that its on. Its a great program for younger children. However they need to stop showing re-runs and do some more actual shows and get rid of Rooney's and Deedee's YELLOW TEETH. Moe is the only Doodle bop with clean white pearlie teeth and the children notice these things and ask if the 2 don't ever brush their teeth? Does the show ever make its way to the United States and if so where can we find its schedule at. And one other thing if we might be able to add. Moe you need to stop hiding so much. Sometimes when you pop up out of no where you scare the younger children and whats with the pulling of the rope? What does that signify? other then getting wet all the time. They need to add newer things to their show instead of the same ole same ole. Kids loose interest that way. | 0NEGATIVE
|
A young boy sees his mother getting killed and his father hanging himself. 20 years later he gets a bunch of friends together to perform an exorcism on himself so he won't turn out like his father. All the stock characters are in place: the nice couple; the "funny" guy; the tough (but sensitive) hood; the smart girl (she wears glasses--that's how we know); the nerd and two no-personality blondes. It all involves some stupid wooden statue that comes to life (don't ask) and kills people. I knew I was in trouble when, after a great opening scene, we jump to 20 years later--ALL bad horror movies do that!<br /><br />The dialogue is atrocious, the acting is bad (except for Betsy Palmer--why Betsy?) and the killings are stupid and/or unimaginative. My favorite scene is when two people are supposedly having sex and the statue knocks the guy off the bed to show he's fully dressed! A real bad, stupid incoherent horror film. Avoid at all costs. | 0NEGATIVE
|
"Feast of All Saints?" Where...? When...?<br /><br />Was the Feast of All Saints storyline and theme edited out? <br /><br />What a waste of a wonderful title! There is never anything in the story that has the remotest connection to the "Feast of All Saints." Nor is there anything in the story about "All Souls Day" which the term is referencing. Why bother to use this title if you never intend to including any kind of storyline or theme about "All Souls Day" or the "Feast of All Saints"? <br /><br />Embarrassly Bad Script & Amateur Writing <br /><br />How did they attract such great talent to this clunker? The writing is so amateur--characters that have known each other all their life go into big long speeches about their life history for the sake of the audience. Not at all the way people talk to each other. <br /><br />What was the Director Thinking?<br /><br />The directing is equally bad! The forced and overly deliberate style feels amateurish. In one scene, a character is yelling "Take your hands off of me" and NO ONE is touching him! The most badly directed scene however, is the incredibly over-the-top battle scene at the beginning of the film.<br /><br />Excessive Gore in a Very Fake, Silly Battle Scene<br /><br />There are so many dead people in the most fake battle scene. It looks like a Saturday Night Live skit!! You can see extras waiting for their cues to walk across camera. Everyone plays their death scene like 4th grade boys--exaggerating every little gasp and twitch. The blood on battle victims is so excessive and carelessly applied it looks like someone used a ketchup dispenser and just squirted straight lines of red on the costumes.<br /><br />This whole battle scene comes off as the spoof of a really cheesy war movie. You almost expect someone like Will Ferrell and Mike Myers to ride up on a horse and deliver the punchline.<br /><br />Who in Real Life Would Ever Behave this Way?! <br /><br />The most ridiculous bit of writing, directing and casting is actually the focus of the scene: <br /><br />A little girl is standing under the dead body of her hanging father--who is terribly mutilated, and literally dripping blood form his gaping wounds. Even a totally idiot would know he is dead! Yet she is--very monotonously--repeating over and over "Daddy, daddy..." while looking at someone off-screen. She delivered it with about as much believability and passion as you could expect from an non-actor kid that had been repeating the line for the cameras all day.<br /><br />Even if the poor kid had any acting skills, the scene is completely unbelievable. The little girl wouldn't even BE in the middle of the battlefield after hours of carnage--surrounded by hundreds of dead bodies, while she calmly stands there!! Natural instincts would had the kid screaming and terrified, running AWAY from the bloody carnage! <br /><br />Are we Suppose to be Horrified or Laugh...?!<br /><br />One particularly goofy detail, that gives the scene an SNL satire tone, is the father hanging, with a huge hook through his mouth and cheek. He looks like a fish on a hook! The unintentionally funny details, make the whole scene come across as fake and silly.<br /><br />In Fantasy La-La-Land, Mothers and Daughters are the Same Age! <br /><br />Another funny detail, is that you see a central character--the little girl's mother--at the end of the scene and in the next scene, that occurs 20+ years later, she looks exactly the same! She is still young and beautiful, and now the same age as her daughter! <br /><br />I almost turned the movie off right there because the direction and writing were obviously awful--but I tried to stick it out because I wanted to see the Louisiana settings and I like all the actors. I don't know what these fine actors were thinking when they accepted these roles!<br /><br />Who was the Targeted Audience?<br /><br />The excessive amount of blood and badly acted violence in the opening scene are weirdly out of place with the soap opera storytelling tone that follows. It is also a strange way to start a movie that, for the rest of the time, seems targeted to romance novel reading females. Weird inconsistency in tone! | 0NEGATIVE
|
Please Note: I see from the various posts that there was an original silent version and also a sound version of this same film. I saw the sound version and it was esthetically yicky. Considering some indicate that the original version was LONGER and without crappy dubbing, my review must be read with this in mind.<br /><br />Although I know that Rene Clair has a lovely reputation as a film maker and Louise Brooks has a bit of a cult following as well, this is in many ways a technically poorly made film. While Hollywood had already pretty much switched to sound mode around 1929, up through the early to almost the mid-30s, a lot of famous French films were essentially silent films--with some dialog and sound effects very poorly slapped over top the film. The lip movements in many, and in particular this film, don't even come close to matching what is being said and this would explain why an American like Ms. Brooks could do a French film. This is just sloppy and I would have preferred they had just made a silent film--and as a silent film this is would have been an average film--with excellent camera work (at times) and some decent silent-style acting.<br /><br />The problem I also found with the film was the overly simplistic plot. For a silent morality play circa 1920, it would have been fine, but by 1930 standards the plot is a bit hoary (that means "old"--not "slutty"). A lady wins a beauty contest and her macho fiancé can't handle it. She gives it all up, temporarily, but is lured back to the fancy life and this spells her end! A tad melodramatic, huh? And also a bit simplistic and underdeveloped.<br /><br />Finally, the character of the fiancé's friend(?) I found very disturbing and unreal. He looked like Harold Lloyd and spent much of the movie being abused and picked on by the friend and everyone else. As he just took it throughout the movie and no resolution came about, his character seemed superfluous and the treatment he received mean-spirited. Were audiences supposed to laugh as he was abused? This seems to me that's what is implied and I don't like it at all.<br /><br />There are FAR better French films of the era (Le Million, La Femme du Boulanger, Fanny, Regain, and others) as well as better silent films. I just can't understand this film's high rating. | 0NEGATIVE
|
PROM NIGHT (2008)<br /><br />directed by: Nelson McCormick<br /><br />starring: Brittany Snow, Scott Porter, Jessica Stroup, and Dana Davis<br /><br />plot: Three years ago, Donna (Brittany Snow) witnessed the death of her entire family at the hands of her teacher (Jonathan Schaech) who has a bit of a crush on her. Now, she is preparing for her senior prom with her stupid annoying friends. Once there, they start dying one by one because the killer escaped from prison and no one bothered to warn Donna because apparently her prom is too important to interrupt. <br /><br />pros: I got a few good laughs out of the film due to the terrible dialog and the dumb character moves.<br /><br />An example:<br /><br />Everyone decides not to tell Donna that the man who is oddly obsessed with her (she doesn't seem that great) has escaped from prison. Their reason: They don't want to embarrass her in front of all her friends. LOL<br /><br />cons: Let me start off by saying I'm a huge slasher fan. Usually I can have fun with even the bad ones. I even like some PG-13 horror films. TOURIST TRAP (1979), one of my favorites, was originally rated PG. I also enjoy POLTERGEIST (1982) and THE GRUDGE (2004). So the fact that this is a dumb slasher film that is rated PG-13 does not have anything to do with me not enjoying the movie.<br /><br />First of all, I had a big problem with the story. I like slasher films that don't even have stories. At least they can be entertaining. This is about a teacher who falls in love with his student, so he kills her entire family. A few years later, he tries to make it up to her by ruining her prom and killing all of her friends ...? Then there were subplots that I doubt anyone cared about. Claire (Jessica Stroup) is fighting with her boyfriend, she has cramps, and I couldn't care less. This should have been a Lifetime feature, not a remake of PROM NIGHT. <br /><br />And then ... this is a slasher film with terrible death scenes. I don't even care that it's not that gory, some of my favorite slashers (HALLOWEEN, CURTAINS, the original PROM NIGHT) were not that gory but they still had effective murders. Here, we have half the characters dying in the same hotel room off screen, a woman being stabbed several times with no stab wounds, and a closeup on a bad actor's face as he screams in agony. I'm sure that 10 year-old girls were terrified, but not me.<br /><br />I also hated the characters. There was Donna's unrealistically sensitive boyfriend Bobby (Scott Porter) and I can almost guarantee you will never meet a boyfriend that sensitive in your life, unless you are a gay male. Then we had Donna's annoying friends Claire (Stroup) and Lisa (Dana Davis), and the token mean girl Chrissy (Brianne Davis). If you thought the characters in DEATH PROOF were annoying, try watching this movie. And don't get me started on Ronnie (Collins Pennie) and the DJ (Jay Phillips) who gave me flashbacks to Usher's performance in SHE'S ALL THAT.<br /><br />Add to all that predictable plot turns, a terrible soundtrack and a big lack of respect to the original material, and you have quite a stinker. | 0NEGATIVE
|
This was a movie i could not wait to see! So i finally got it and I was pretty disappointed. For starters,the movie has so little said about New York,just a bunch of confusing shots of buildings,streets,bridges and cafes.It really doesn't stay focused on the New York magic.Another thing that changed my mind was the french movie set inside this movie.I know that it is a remake,but it is not a french style remake! Anyway,here you will notice elements that remind you of french movies,such as long and messy scenes,no or little talking and of course everyone is smoking french style ! The story follows many lives ( too many for my taste) and they somehow seem connected in the end. I feel like there was no dedication to the characters as much as there was on the stories. The movie was too short to cover every single destiny everyone's happy ending.So we can see about 30 people for about 5 minutes each.And there you have your 120 minutes ! if you like active scenes dialogues and stuff this is not the movie for you ! i give it 4 just because i love New York and i loved the cast ! | 0NEGATIVE
|
I've come to realise from watching Euro horror, especially films made by cult luminary Jess Franco, that you can't expect a plot that makes much sense. However, Franco has gone overboard with this film; and despite a surreal atmosphere, and the film's reputation as one of the director's best - Succubus is unfortunately is a truly awful film. I've got to admit that I saw the American cut version, which runs at about 76 minutes; but unless it was just the logic that was cut, I'm sure the longer European version is just as boring. The plot has something to do with a woman marauding around; practicing S&M and talking rubbish, and it's all really boring. There's no gore and the sex is dull, and most of the runtime is taken up by boring dialogue and despite the fact that this is a short film; I had difficulty making it all the way to the end. I have to say that the locations look good and Franco has done a good job of using his surreal atmosphere; but the positive elements end there. Jess Franco is definitely a talented director that has made some classic trash films - but this looks like it was one he made for the money, and overall I recommend skipping it and seeing some of the director's more interesting works. | 0NEGATIVE
|
[CONTAINS SPOILERS!!!]<br /><br /> Timon and Pumbaa are watching The Lion King. Timon decides to go back BEFORE the beginning, to when the story really began. So they go back. Way back. Back even before Simba was born. Back to Timon's old home which was miles away from Pride Rock. A clan of meerkats burrowed underground to hide from hyenas. The worst digger in the clan was a pompous, self-centered meerkat named Timon. His mother took pity on him but Uncle Max just shook his head. Mother suggested putting Timon on sentry duty; Timon had dreams of a bigger and better place out there somewhere. Just then, hyenas Shenzi, Bonzai and Ed arrived and nearly killed poor Uncle Max. That did it. The other meerkats just wanted Timon to go away while Timon took it upon himself to leave. So he kissed his mom goodbye and started off. He didn't get very far before he started getting homesick. Just then he met Rafiki, who taught him to look beyond what he sees. Timon had no clue what that meant so he continued on and met a warthog named Pumbaa, who was all alone due to a flatulence problem. Timon and Pumbaa join up then, but Timon declared them acquaintances, rather than friends.<br /><br /> They soon arrive at Pride Rock where all the zebras, antelopes, wildebeests, rhinoceroses, giraffe's, elephants and many other plain animals had gathered. What was going on? Timon didn't care. They pressed on. Timon then saw Rafiki atop Pride Rock lifting into the air something he couldn't see. Just then all the animals took a bow. Was this to honor the birth of the new king? No, Pumbaa had passed gas and the animals were bowing to cover their noses; Timon and Pumbaa try an assortment of new homes, but each are discomforting due to incessant singing or hyenas or a large stampede of wildebeests! Pumbaa and Timon suddenly find themselves heading down stream. When they reach land, Timon decides to give up. But then they gaze around at their newfound paradise. It was beautiful: trees and water falls as far as the eye could see. Timon named the place after a strange phrase he learned from Rafiki: Hakuna Matata. Timon and Pumbaa go out bowling for buzzards one afternoon when they suddenly run into Simba. They take him under their wing and become father figures. They teach him the arts of bug eating and belching contests. Pretty soon, a teenage Simba takes on Timon in a snail slurping contest. Simba won, leaving Timon deathly ill.<br /><br /> Then one day, Simba's childhood friend Nala arrived. Timon and Pumbaa just knew she'd break up the friendship. Suddenly, Simba runs away. Nala and Pumbaa race after him, but not Timon. He chose to stay at "Hakuna Matata" by himself, until Rafiki "talked" some sense into him, so he joins his friends at Pride Rock. Timon's mother and Uncle Max arrive then. While Simba battles Scar, Mother and Max dig a large hole to trap hyenas Shenzi, Bonzai and Ed in. It worked. Scar is soon flung down the same hole where he is devoured by the hyenas. Then all is well. Mother, Uncle Max and the rest of the meerkats go live with Timon and Pumbaa in the paradise that is Hakuna Matata. Back to the present, Timon and Pumbaa finish the movie when suddenly Mother, Uncle Max, Simba and Rafiki want to watch it again. So do Mickey Mouse, Donald Duck, Goofy, Snow White, the Seven Dwarfs, Dumbo, Peter Pan, the Lost Boys, Mad Hatter, March Hare, Genie, Aladdin, and Jasmine.<br /><br /> Well, I must say that The Lion King 1 1/2 wasn't as good as I had hoped. It was too ridiculous and silly. The original Lion King was a masterpiece. It had a serious story with light comedy thrown in. This one was just silly and made a mockery of it. I swear, sometimes Timon and Pumbaa are just way too overplayed. They're overplayed to the point of no longer being funny, just annoying. The original voice cast is back: Nathan Lane as Timon, Ernie Sabella as Pumbaa, Matthew Broddrick as Adult Simba, Whoopi Goldberg as Shenzi, Cheech Marin as Bonzai, Jim Cummings as Ed, Robert Guillame as Rafiki. New to the cast are Julie Kavner of TV's (Too) long running series The Simpsons as Timon's mom and Jerry Stiller as Uncle Max. So anyway, this movie isn't The Lion King III, and it isn't II because there already is a II. It takes place right after Part I and Part II is a ways away. Hence, it's 1 1/2. In conclusion, I don't recommend this to die hard Lion King fans because it's far too ridiculous and frivilous. However the kids will love it so I recommend it to them. I hope this will also be the LAST Lion King movie. Two is enough. "The Lion King 1 1/2". What we've come to expect from Disney sequel makers.<br /><br />- | 0NEGATIVE
|
The Biggest one that bugs the hell out of me is that they say Zues takes DUTCH commands. But she is speaking German to him. The 2 languishes are completely different, its like saying "well he takes French commands" and start talking Spanish.<br /><br />James Belushi gives more the feeling of being a comedy actor not a detective in the slightest. The role just doesn't fit him, even if its mend to be a comedy.<br /><br />To many stereotype/predicable stuff. Typical comment or comebacks.<br /><br />If you don't look at those things i think it could be a nice movie to watch if its ever on TV. But i wouldn't suggesting renting it. | 0NEGATIVE
|
A film with very little positive to say for it.<br /><br />Firstly it has zero pace and is positively lacking in any drama.<br /><br />Besides being remarkably slow The Empty Acre seems dedicated to using the same stock footage again and again. I lost count of how many times I had seen "that" field at night or that bit of cracked earth.<br /><br />It also has the fundamental flaw of thinking that if the audience don't know about things they will be gripped rather than just confused. So with no signs that there are any issues we suddenly find the marriage is not what it seems to be despite being given the impression that it's fine. We find Jacob is possibly the worst farmer in the universe as he seems to spend no time on the farm and also seems to have bought land with a wholly useless acre. Beth has a key to a warehouse of books? There are innumerable other questions some of which are resolved later in the movie, much later, in fact too late.<br /><br />And on the point of the acre. Horror filmmakers note that large inanimate objects are inherently not scary and also if they're meant to be an acre big then make them so.<br /><br />There is also a frightening lack of reasonability as Beth (the best performer in the piece, followed by Jefferson the cop) suddenly appears to be accused of everything under the sun just because she is on "medication".<br /><br />With the full ten minutes plus of running round the fields looking for the missing child (did he crawl out of the window? He's six months old) the film descends into badly written scene after badly written scene. Bad plinky plonk "horror" music fails to add atmosphere.<br /><br />Often bad films can be amusing but not The Empty Acre, which is just bad. | 0NEGATIVE
|
Honestly before I watched this movie, I had heard many people said this movie was a disgrace. I did not believe that since Morgan Freeman and Kevin Spacey have taken roles in this movie, and watched it by my own. Apparently they were right. I was really disappointed and wondering all the time during the movie - why the hell did I watch this movie.<br /><br />Of course I was not expecting much from Justin as he really does not belong in the movie/theater business. But Morgan and Kevin? I could not stop asking myself why the heck they agreed to take part in Edison. To be honest, their roles are rather stupid.<br /><br />Well you might think if the players suck, then I should pay more attention to the story. It is indeed story is the core of a movie, but guys... trust me... this is not a movie you want to give a credit for its story. Imagine this, a smart-ass journalist (Justin Timberlake) wrote a story against the system and at the same time learning how to become a 'real' journalist from his boss (Morgan Freeman). This all was supported by one agent who still has heart for justice (LL Cool J) and an brilliant investigator (Kevin Spacey). At the end, they beat the system with a happy ending story.<br /><br />Jeez, I could not even carry on with this. Just recalling the movie is making me sick already. My advise guys, don't watch this! Please save your money and time for another movie. | 0NEGATIVE
|
This movie sucked plain and simple. Okay so it's basically about a girl that gets raped, and to get revenge she gets another guy to rape the rapist. The rapist is a douche, but the girl victim is partly to blame. I mean they both get in the mood and start kissing and stuff, but when the rapist tries to have sex with her, she doesn't allow it so the rapist rapes her. And the thing is the rape scene for the girl is very short and it doesn't really expose or show anything, but when it comes to the rapist getting raped, it's a pretty long rape scene. There is basically nothing in the story that is worth watching.<br /><br />3.2/10 | 0NEGATIVE
|
I was rooting for this film as it's a remake of a 1970s children's TV series "Escape into Night" which, though chaotic and stilted at times was definitely odd, fascinating and disturbing. The acting in "Paperhouse" is wooden, unintentionally a joke. The overdubs didn't add tension they only reinforced that I was sat watching a botch. Casting exasperated the dreary dialogue which resulted in relationships lacking warmth, chemistry or conviction. As in most lacklustre films there are a few good supporting acts these people should be comforted, consoled and reassured that they will not be held responsible. Out of all the possible endings the most unexpected was chosen ... lamer than I could have dreamt.<br /><br />"Escape into Night" deserves a proper remake, written by someone with life experience and directed with a subtle mind. | 0NEGATIVE
|
Take one look at the cover of this movie, and you know right away that you are not about to watch a landmark film. This is cheese filmmaking in every respect, but it does have its moments. Despite the look of utter trash that the movie gives, the story is actually interesting at some points, although it is undeniably pulled along mainly by the cheerleading squads' shower scenes and sex scenes with numerous personality-free boyfriends. The acting is awful and the director did little more than point and shoot, which is why the extensive amount of nudity was needed to keep the audience's attention.<br /><br />In The Nutty Professor, a hopelessly geeky professor discovers a potion that can turn him into a cool and stylish womanizer, whereas in The Invisible Maniac, a mentally damaged professor discovers a potion that can make him invisible, allowing him to spy on (and kill, for some reason) his students. Boring fodder. Don't expect any kind of mental stimulation from this, and prepare yourself for shrill and enormously overdone maniacal laughter which gets real annoying real quick... | 0NEGATIVE
|
Although I have to admit I laughed more watching this movie than the last few comedies I saw.<br /><br />The budget must have consisted of pocket change from the actors. The production values are so low that they actual made it kind of fun to watch. Reminds me of the Robot Monster made up of a guy in a gorilla suit with a cardboard diving helmet on.<br /><br />In one scene a hapless victim gets their arm and leg cut off. Geez, hard to believe but the Black Knight scene from Holy Grail was more realistic. I kept wondering why the victim didn't start shouting " None Shall Pass" and " It's only a flesh wound, I've had worse". It was one of the funniest scenes I've seen in the past year.<br /><br />The "gladiator/demon" was a stitch too. Between the horribly cheap costume and the geeky look of the guy in it the end result was hysterical.<br /><br />Truly a movie that is bad enough to be watchable. Kind of like seeing a slow motion auto accident on film.<br /><br /> | 0NEGATIVE
|
Although there are some snippets in this 4-part documentary hinting at the necessity for recreational drug law reform, these are not very well-developed, in contrast to the many snippets from those who feel that the drugs that happen to currently be illegal are a scourge for which the only imaginable solution is incarceration of even those who are guilty even of mere possession of such drugs.<br /><br />Although this program, as a whole, leaves the viewer with the impression that the drug war is largely a futile exercise and a waste of money, and for that it deserves some praise, almost nothing in this documentary addresses the very real problems that total war against those who merely possess illegal drugs obviously causes and contributes to--very real problems that most drug warriors themselves would tell you, if asked, they think the drug war is designed to solve. For example, while many minutes are spent on the surge in violence associated with the rising popularity of crack cocaine in the 80's, at no point does this program even hint that the very laws designed to suppress crack cocaine make it impossible for drug sellers to enforce their contracts and business arrangements in courts of law, forcing them to resort to violence to stay in business. But instead of seeing the laws as an important cause of the violence, the drugs themselves seem to take the brunt of the blame. Inexplicably, alcohol prohibition, the violence that ensued, and the subsequent reversal of prohibition, is totally ignored by this program.<br /><br />This program will help to perpetuate ridiculous stereotypes of drug users, and it is these that are the primary force in driving the very expensive and very problematic drug war. The possibility of incorporating drugs other than alcohol into a happy and successful life is not really touched on. Use of any drug in excess is probably going to cause personal problems, but not all users do their drugs in excess, just like not all alcohol users are alcoholics.<br /><br />If you want a point of view from someone who believes that adults have a moral right not to be incarcerated and have their lives ruined by the criminal justice system just for using drugs that the government, for mostly very arbitrary political reasons rather than reasons based on sound social policy and legitimate science, has decided to totally prohibit, whose users it has decided to not-so-metaphorically wage war against, just forget about it. None of that is in here.<br /><br />On the other hand, this is hardly in the category of anti-drug propaganda. It is mostly an interesting neutrally-presented history of drugs in 20th century United States like marijuana, LSD, heroin, cocaine, MDMA, and Oxycontin. But there is a significant element of various people's points of view with regard to drug laws, and most (but not all) of that is not very thoughtful or well-informed and slanted in favor of the drug warrior mentality, especially with respect to drugs other than marijuana. <br /><br />The criminal justice system, along with its often harsh life-ruining penalties, is obviously not the only answer or the most appropriate answer to every single social problem, but unfortunately there's an epidemic in this nation of an as-yet unnamed disease whose primary symptoms are a lack of imagination with respect to social policy when it comes to certain drugs, a lack of compassion for fellow humans, a prejudice against people who use the drugs that are not governmentally-approved, perhaps a vested interest in the growth of the prison/policing industry, and a horrid apathy with regard to human dignity. It's morally wrong to kidnap or incarcerate people unless you have a very damn good reason for doing so, and the mere possession of an arbitrarily selected group of drugs is clearly not such a reason. This is really the primary issue when it comes to drugs, yet this program ignores it.<br /><br />So, in sum, the parts of this program that neutrally present history without feeding stereotypes of drug users that are at the heart of the drug war mentality are pretty good and interesting and entertaining. But when it comes to presenting a rational non-radical point of view with regard to drug policy, and giving the viewer examples not only of people with drug problems but also the many people who successfully incorporate drugs into happy and successful lives, it's pretty disappointing. | 0NEGATIVE
|
I went to school with Jeremy Earl, that is how I heard of this movie, I don't really know if it was in the theater's at all. I don't recall the name. I have seen it, it is like one of those after school specials. The acting is OK, not great. The plot was kind of weak and the lines were pretty corny. So the only comment I can give this movie is "Eh" I borrowed the movie from Jeremy, if I was in a movie rental place, this is one that I would walk past and after watching it I wouldn't recommend it to anyone past middle school age. I've also noticed that many times when urban kids are portrayed, the slang is overused or just outdated. Many times I think thats what makes their characters unbelievable. | 0NEGATIVE
|
Since most review's of this film are of screening's seen decade's ago I'd like to add a more recent one, the film open's with stock footage of B-17's bombing Germany, the film cut's to Oskar Werner's Hauptmann (captain) Wust character and his aide running for cover while making their way to Hitler's Fuehrer Bunker, once inside, they are debriefed by bunker staff personnel, the film then cut's to one of many conference scene's with Albin Skoda giving a decent impression of Adolf Hitler rallying his officer's to "Ultimate Victory" while Werner's character is shown as slowly coming to realize the bunker denizen's are caught up in a fantasy world-some non-bunker event's are depicted, most notable being the flooding of the subway system to prevent a Russian advance through them and a minor subplot involving a young member of the Flak unit's and his family's difficulty in surviving-this film suffer's from a number of detail inaccuracies that a German film made only 10 year's after WW2 should not have included; the actor portraying Goebbels (Willy Krause) wear's the same uniform as Hitler, including arm eagle- Goebbels wore a brown Nazi Party uniform with swastika armband-the "SS" soldier's wear German army camouflage, the well documented scene of Hitler awarding the iron cross to boy's of the Hitler Youth is shown as having taken place INSIDE the bunker (it was done outside in the courtyard) and lastly, Hitler's suicide weapon is clearly shown as a Belgian browning model 1922-most account's agree it was a Walther PPK-some bit's of acting also seem wholly inaccurate with the drunken dance scene near the end of the film being notable, this bit is shown as a cabaret skit, with a intoxicated wounded soldier (his arm in a splint) maniacally goose-stepping to music while a nurse does a combination striptease/belly dance, all by candlelight... this is actually embarrassing to watch-the most incredible bit is when Werner's Captain Wust gain's an audience alone with Skoda's Hitler, Hitler is shown as slumped on a wall bench, drugged and delirious, when Werner's character begin's to question him, Hitler start's screaming which bring's in a SS guard who mortally wound's Werner's character in the back with a gunshot-this fabricated scene is not based on any true historic account-Werner's character is then hauled off to die in a anteroom while Hitler prepare's his own ending, Hitler's farewell to his staff is shown but the suicide is off-screen, the final second's of the movie show Hitler's funeral pyre smoke slowly forming into a ghostly image of the face of the dead Oskar Werner/Hauptmann Wust-this film is more allegorical than historical and anyone interested in this period would do better to check out more recent film's such as the 1973 remake "Hitler: the last 10 day's" or the German film "Downfall" (Der Untergang) if they wish a more true accounting of this dramatic story, these last two film's are based on first person eyewitness account's, with "Hitler: the last 10 day's" being compiled from Gerhard Boldt's autobiography as a staff officer in the Fuehrer Bunker and "Downfall" being done from Hitler's secretary's recollection's, the screen play for "Der Letzte Akte" is taken from American Nuremberg war crime's trial judge Michael Musmanno's book "Ten day's to die", which is more a compilation of event's (many obviously fanciful) than eyewitness history-it is surprising that Hugh Trevor Roper's account,"The last day's of Hitler" was never made into a film. | 0NEGATIVE
|
The only thing remarkable about this movie? is that all the actors could bomb at the same time. Idiocy. I want my money back...and I got it free from the library. Sheesh. I would rather chew on tin fool and shave my head with a cheese grater then watch this again. | 0NEGATIVE
|
Nathan Detroit runs illegal craps games for high rollers in NYC, but the heat is on and he can't find a secure location. He bets chronic gambler Sky Masterson that Sky can't make a prim missionary, Sarah Brown, go out to dinner with him. Sky takes up the challenge, but both men have some surprises in store
<br /><br />This is one of those expensive fifties MGM musicals in splashy colour, with big sets, loud music, larger-than-life roles and performances to match; Broadway photographed for the big screen if you like that sort of thing, which I don't. My main problem with these type of movies is simply the music. I like all kinds of music, from Albinoni to ZZ Top, but Broadway show tunes in swing time with never-ending pah-pah-tah-dah trumpet flourishes at the end of every fourth bar aren't my cup of tea. This was written by the tag team of Frank Loesser, Mankiewicz, Jo Swerling and Abe Burrows (based on a couple of Damon Runyon stories), and while the plot is quite affable the songs are weak. Blaine's two numbers for example are identical, unnecessary, don't advance the plot and grate on the ears (and are also flagrantly misogynistic if that sort of thing bothers you). There are only two memorable tunes, Luck Be A Lady (sung by Brando, not Sinatra as you might expect) and Sit Down, You're Rockin' The Boat (nicely performed by Kaye) but you have to sit through two hours to get to them. The movie's trump card is a young Brando giving a thoughtful, laid-back performance; he also sings quite well and even dances a little, and is evenly matched with the always interesting Simmons. The sequence where the two of them escape to Havana for the night is a welcome respite from all the noise, bustle and vowel-murdering of Noo Yawk. Fans of musicals may dig this, but in my view a musical has to do something more than just film the stage show. | 0NEGATIVE
|
That is the only question I am left with. Why did this movie suck so much when it had such a great cast? Why was the writing so bad, it left the audience completely unconnected with the characters? Why did it not make any sense at all? Why did the studio take a perfectly good premise and "Hollywood" the hell out of it when all it needed was good, smart story telling? Why? I never understand why movies that start out good turn into a pile of crap by the time they're released. I hope for the sake of Freeman an Spacey, who are Oscar WINNERS, that this never is released to the big screens in America.<br /><br />As someone that holds a Bachelors Degree in Journalism, the whole story is just utterly laughable. I just...think the script had potential, but the execution turned it into a cliché, and an awful one at that. Just. No. | 0NEGATIVE
|
This film is another of director Tim Burton's attempts to capitalize on a familiar title to bring his `vision' to the screen. He has done it with `Batman', `Sleepy Hollow' and now this. This is not a remake. The only thing it has in common with the original is that it has simians that can speak (and Charleton Heston makes a cameo). Burton has reconstituted the entire story, watering it down for today's mass viewership.<br /><br />The original Planet of the Apes was a product of its time. During the 1960's America was struggling to redefine its civilization. It was a turbulent time of soul searching and rethinking social norms. It was the civil rights era where groups long considered inferior demanded to be treated as equal. In that context, POTA was allegorical, reflecting the philosophical turmoil confronting the audiences of the day. POTA was an extremely intelligent film that broached difficult questions and elegantly held the oppressions of American society up to scrutiny by making the white guy justify his intelligence to a species he considered inferior. The dialectic between Colonel Taylor (Charleton Heston), Dr. Cornelius (Roddy McDowall) and Dr. Zira (Kim Hunter) was thought provoking and intelligent with ironies both subtle and obvious.<br /><br />Burton's version is as much a product of today's times as POTA was of the sixties. This is Apes for Dummies. It is superficial and jejune, substituting politically correct platitudes for intelligent dialogue and focusing more on form than substance. The `surprise' ending is utterly incongruous and contributes nothing to the film except a cliffhanger that sets up the sequel. While the ending of the original POTA gracefully tied everything together in a single powerful scene, Burton's ending simply mocks the audience, taunting, `I know something you don't know, and you are going to have to wait for the sequel to find out.'<br /><br />From a technical perspective, as is always the case with Burton's film, the film is excellent. The makeup is fantastic and Burton's camerawork is outstanding (though I continue to dislike his dark look). However, thirty-three years of advancements in prosthetic makeup can not compensate for the insultingly vacuous script.<br /><br />The story has been reduced to a monster movie. The humans band together behind Captain Davidson (Mark Wahlberg) to fight the monstrous Apes, aided and abetted by a few turncoats (notably Helena Bonham Carter as Ari). The presentation is formulaic and simplistic with plenty of violence, perfect for today's fast food mentality.<br /><br />The acting is mixed. Mark Wahlberg is a fine actor who is simply miscast in this role. Walberg is excellent at playing dark, sullen characters that are tormented but strong. This part requires an inspirational hero, a profile not in Wahlberg's repertoire. Helena Bonham Carter is a brilliant actor whose character is so far beneath her ability that the disconnect is laughable. She tries desperately to do something with the flimsy character, but her interpretation presents like a cross between a college peace demonstrator and love sick teenager.<br /><br />Then there is Tim Roth. His is a virtuoso performance, single-handedly saving the film from total ruin. Roth is diabolically hateful as the malevolent General Thade. He creates one of the most villainous and despicable bad guys I can remember in some time. Additionally, his physical acting is superlative, rendering a chimp-man that is such a perfect meld that one can almost believe that the species exists.<br /><br />This film is a great disappointment. It is decent entertainment, as long as you check your brain at the door. I rated it a 3/10. From a technical perspective it is much better than that, perhaps a 9/10. However the story is an insult to the original franchise. It is simply another attempt by Burton at self adulation, using a familiar title to attract throngs to the box office so lots of people can see what a genius he is. Of course it's true, but it would be great if he used that talent to produce substantial films, instead of simple minded pap formulated for mass consumption. | 0NEGATIVE
|
Della Myers (Kim Basinger) is an upper-class housewife that lives in a private condominium in the suburbs with her twin children and her abusive husband Kenneth (Craig Sheffer). Della gives all the attention to the twins, neglecting their house and her appearance and upsetting Kenneth. On the Christmas Eve, she drives to the local mall in the night to buy wrapping paper for the gifts, and she does not find any parking space available. When she sees an old car parked on two spots, she leaves a message to the owner calling him "selfish jerk". When the mall closes, Della's car is hold by the driver of the old car and she is threatened by four punks Chuckie (Lukas Haas), the Afro-American Huey (Jamie Starr), the Chinese-American Vingh (Leonard Wu) and the Latin Tomás (Luis Chávez). When the security guard of the mall protects her, he is shot on the head by Chuckie, Della speeds up her car trying to escape from the criminals. However she crashes her truck nearby a forest while chased by the gang. She takes the toolbox and hides in the wood, fighting against the gang to survive.<br /><br />A couple of days ago, I saw the trailer of "While She Was Out" and I was anxious to watch the DVD. Unfortunately the trailer is better than the movie, and I am totally disappointed with this dull and implausible collection of clichés. Della Myers is presented as an insecure and neglectful housewife and inexistent as wife; the motherhood is her only interest in her concept of family. She is chased by four mean criminals but she defeats them with a toolbox that seems to be the Batman's utility belt. Therefore, the plot is so absurd that irritates. The gang of criminals is formed by the favorite cliché of American movies, with an Afro-American, a Chinese-American and a Latin together with an American lord to be politically correct. Kim Basinger has a decent acting, but their children are too young for a fifty-five year-old woman. My vote is four.<br /><br />Title (Brazil): "Enquanto Ela Está Fora" ("While She Was Out") | 0NEGATIVE
|
This thought long lost flick sometimes comes available on the web. So I bought me a copy. Well, of course the acting is terrible and the story line is childish but it does have his moments. I think people who searched this one also knows the backstory of it. It was made by a grindhouse cinema owner for an extreme low budget. But for me he surely didn't spoiled the money on props but on the make up. The make up is for that kind of flick well done. The zombies are watchable and the gore is intact. The only problem with that kind of movies is the quality of the pelicule. It's terrible, luckely no hiss on the sound but sometimes it's way too dark. So you have to watch clearly to see the gore. In a funny way they tried to sell this one as really not for the squeamish. A voice-over tells in the beginning of the movie to watch out for a sign and a man appearing with green flashes, that tells you there is gore on the way. Of course that doesn't work, made me think of Cannibal Girls, had that annoying bell when the red stuff started to flow. They had the original idea, Cannibal Girls was made a year earlier. Don't go for the storyline, go for the zombies and notice a continuity mistake. When the girl and guy are making love first she takes of her bra, then they make love and suddenly her underwear is back on...try to do that, or am I getting a bit offline,...eat it you ugly corpses | 0NEGATIVE
|
this film was shrouded in scandal for so long that it became a very sought after item...the outrage, the mystery, etc. it had everything to be a great piece of film-making, but ultimately fails in every extent. it's a terribly bad comedy, a pathetic horror movie, a lame erotic film.<br /><br />the 2 disc DVD includes a gorgeous booklet with stills, interviews, essays on bestiality, etc. as well as an extensive interview with the more-than-pretentious director. for those who have heard about it but never seen it, the package will seem fantastic until one actually sees the film. disc 1 contains the edited film, badly translated to English but with good visual quality. disc 2 contains the director's cut, in an awful transfer, in french.<br /><br />what can I say about the actual beast? a hand puppet of Kermit the frog would have been more effective and shocking. | 0NEGATIVE
|
Watching The Tenants has been a interesting experience for me. It is the first film I have ever seen where I have shuttled at speed through parts of the (non)action - and I can normally watch anything from turgid action movies to Serbo-Croat indie and find them fascinating.<br /><br />The Tenants is frustratingly sluggish and over-orchestrated. One of the main problems of the script is there is little realistic character dialogue, apart from the set pieces where characters 'collide' in a very structured setting (to make this work, the film needed to feel more conceptual, which it didn't). This leads to a lack of realistic character development; everyone seems two-dimensional.<br /><br />The worse for this is the character of Bill Spear, aka Snoop Dogg. I found his characterization very uncomfortable and very unsympathetic. At one point, I even stopped the film because I got so annoyed by the character's aggressive, violent and monotonal delivery, the lack of any other personality layer apart from that of the reactionary "on" switch (which gets really predictable after a while) and I so desperately wanted him to have some redeeming qualities. However, one reason for this jar might be the nebulous time scape of the film (supposedly 70s, it feels and looks more early noughties). If it had been more securely fixed in the 70s, his character might have seemed more understandable.<br /><br />The lighting of the film was also awkward. All the way through, the soundtrack attempts to provide a certain gritty, jazz-infused atmosphere that just did not come off, largely because the set was too well-lit.<br /><br />The Tenants, to me, is an unbelievable film. It doesn't depict real people or propose any interesting ways of thinking about race, identity or the life of a writer, be they white or black.<br /><br />Strangely, I came away with the feeling that this project needed David Lynch; his eerie, clastrophobic and obsessive look and feel would have lifted both the actors and the script into something quite remarkable. | 0NEGATIVE
|
It's hard to believe an "action" packed Jet Li movie could be so boring, but this was transcendant trash. The plot is an amalgam of other Hong Kong chopsocky flicks. The martial arts action is all special effects and no human talent. <br /><br />It's a comic book story about a group of super-human soldiers who are to be killed because they're mentally unstable, one of their number (Li) who holds off an incompetent army to save them and rebuilds a life as a pacifist librarian. The saved killers resurface with an Austin Powers quality plot to take over the world, and Li sheds his new life to save the world.<br /><br />The version I saw was dubbed, and that may have accentuated the cheesiness of the wafer-thin plot and comic-book 25 cent special effects. But I suspect even Ninja-Turtle-watching 8-year olds would have found this juvenile and hollow. | 0NEGATIVE
|
Maggie Smith and Peter Ustinov as a very unlikely couple in a very not likable film at all.<br /><br />The film shows promise for Ustinov is released from prison for embezzling. He convinces Robert Morley to go away so that he can assume his identity and begin hacking away at computers at a very fancy firm run by Karl Malden and Bob Newhart, another unusual duo for films.<br /><br />Morley sounds just as he did in 1938's "Marie Antoinette." Perhaps, he needed to return to that genre.<br /><br />This film is ridiculous at best. Hard to believe that the following year, Maggie Smith totally changed her ways and gave a shattering Oscar performance in "The Prime of Miss Jean Brodie."<br /><br />Ms. Smith is made out here to be an apparent dumb-red head, but by film's end, she is the brains of the outfit. Too bad the writing didn't go the way with her. | 0NEGATIVE
|
Yes, you guessed it. Another movie where identical twins switch places. I think now that the Olsen twins are getting older they should try and make the plot less predictable and less like re-runs of 'Full House'. If you plan on seeing this film, don't. Watch 'The Parent Trap' instead. It's more entertaining. | 0NEGATIVE
|
Tom is listening to one of those old-time radio broadcasts, something kids from the 1950s to today would watch on TV. However, they didn't television when this cartoon was made so people got their entertainment - from comedies to music to scary stories - from the radio. <br /><br />Tom is literally shaking in his boots listening to some story about the "phantom." He's actually literally doing everything the narrator is saying, such as "hair standing on end, icy chills race down her spine, her heart beats in her throat," etc. Jerry, meanwhile, is watching Tom and laughing his butt off at his scaredy- cat antics.<br /><br />We then get a taste of what we will see for many years after this 194- cartoon in which Jerry tortures Tom for no reason other than sadistic pleasure. If the cat asks for trouble, that's one thing, but when he's minding own business and Jerry is physically (and in this case, mentally) abusing him, I have a hard time rooting for the "little guy."<br /><br />These early T&M efforts also were a minute longer than all that followed. Sometimes that one minute makes a difference. It did here as this actually dragged for awhile. It could have been cut to five minutes without missing anything because the sketches went on too long. That's usual for Tom and Jerry's. Usually, they are much faster-paced. | 0NEGATIVE
|
I wish more movies were two hours long. On the other hand, I wish more American Civil War movies were MERELY two hours long. "Gone with the Wind", "Gettysburg" - that's about the length I've come to expect; although those two at least entertained for however many hours they lasted; and even "Gettysburg" lasted as long as it did because things HAPPENED in the course of it.<br /><br />By contrast Ang Lee's film is bloated and uneventful. It actually feels as if it takes much less than two hours. That wasn't a compliment. It's really no different to any other form of sensory deprivation: at the time it feels as though it will never end, afterwards it seems to have taken no time at all.<br /><br />The film gets off on the wrong foot, as Lee plays his interminable credits OVER the opening footage (bad mistake) in which we are introduced to some characters we take an instant dislike to and will later come to loathe. The central two are Jake, the son of German immigrants who are staunch supporters of Lincoln, and Jack, an equally staunch Southerner whose values Jake shares. (I had to re-read that sentence to make sure I hadn't written "Jack" instead of "Jake" at some point or vice versa.) The two go off to become "bushwhackers" - Southern militia who so strongly lust after revenge and violence that they can't even be bothered to join the official Southern army, which I presume they think is for sissies. I'm afraid Lee lost me right there. It's easy to feel for characters who make moral mistakes: if we have some independent reason to like them, or feel as if we know them in some way, then their moral flaws can make us care for them all the more. Not so here. We aren't properly introduced to Jake for at least an hour; when we are, it becomes clear he's a gormless pimple of a man, who isn't a confederate by choice so much as by habit - the kind of person who says and does what everyone around him says and does, whose psychology is purely immitative. The people he associates with are either just the same or positively evil in some uninteresting way. I found myself cheering whenever the Northern cavalry appeared on the screen. I thought: good - kill the rebels, end the damned war, let me go home.<br /><br />Aggravating this problem is the horrible, horrible dialogue. Everyone speaks in the same whining Southern accent. I've heard accents from all over the English-speaking world and this is the worst of them all. I don't care if Southerners really did talk like that, it's simply not fair to ask an audience to listen to it for two hours. And believe me, we do listen to it for the full two hours: Lee's picture is a talky one, largely because characters take so long to say what they mean in their ungrammatical, say-everything-three-times, folksy drawl. It would help if they talked faster, but not much. Can't these people find a more efficient language in which to communicate?<br /><br />In short: the film is little but a gallery of uniformly unattractive characters with no inner life, who talk in an offensively ugly mode of speech, who don't bathe often enough, to whom nothing of interest happens, despite their being involved in a war. Good points? Jewel was nice to look at, and so was the scenery. But I have complaints even here. The cinematography, nicely framed, looked as if someone had susbtituted colour film for black and white by mistake; and as for Jewel, we were teased with her body, but never actually allowed to gaze upon it, which I think is the least we were owed. | 0NEGATIVE
|
it got switched off before the opening credits had even finished appearing. The first joke was just so appallingly lame and dreadfully acted that it had to go. You shouldn't really decide to watch this based on my review or not. I saw so little of it I shouldn't even really be commenting but suddenly it all became clear why the video shop guy was sniggering at us paying money to see it.<br /><br />Couldn't they have just made Earnest does Dallas? | 0NEGATIVE
|
I really don't get how people made this film and thought it was worth all the work they put into it. Even more puzzling are those who watched this film without feeling cheated out of 88 minutes of doing something valuable like cleaning under the couch or reading Leviticus. <br /><br />First of all, surely they could have 2 found real Irish people, and some good-looking women who could deliver their lines better than the washed up, haggard porn stars sprinkled throughout this film. Granted, the gore works- but strangely, it's not as troubling as you might think to see organs yanked out of the porn stars' hot (formerly) tight bodies left and right. Probably has something to do with the fact that after their horrific inhuman acting you just want them to die in pain.<br /><br />So, if you don't care at all about the following: <br /><br />- acting (seriously, everyone sucked. I've never witnessed this before. EVERYONE sucked).<br /><br />-plot (some crappy horror movies are remotely linear, or at the very least surprising. This movie doesn't make sense unless you're as trashed as the writers obviously were). <br /><br />- theme (Nothing to learn from this film. Nothing to be scared about in bed at night, nothing to contemplate or grasp, or explain to others). <br /><br />- soundtrack (Crap, crap, crap. Music as ordinary and dull as the script). <br /><br />- scenery (Could have been this film's saving grace, but no...nothing pleasing here. Even the rocks are fake).<br /><br />So, yeah. If you don't care about that, and you're just a horny teen with bad taste in music and "women," this movie is for you. Positive comments: interesting cinematography at times, wasted on the other elements. Very realistic gore; again, wasted. But the intestines scene is classic. I agree with the mutant- disembowelment solves the fake accent problem. | 0NEGATIVE
|
Wonderful cast wasted on worthless script. Ten or so adults reunite at the summer camp they attended as juveniles. Could this ever happen in a million years? It's simply a fantasy, and a boring one at that. Do they become teenagers again? Do they reenact their pranks, games, good times? They may try but ultimately the answer is: No. Is there any intrigue? Any suspense? Horror? Comedy? None of the above. How anyone can be entertained by this drivel is beyond me. I wanted to like this movie; I tried to like this movie, but my brain refused. | 0NEGATIVE
|
Start of with the good bit: several times Swayze talks Zulu to his friends or that language is heard among the tribes. That's a great plus, as normally USA & UK movie audiences think all people on this planet speak English (just in case you're one of them: no they don't).<br /><br />But the acting is 'tenenkrommend' as we say in The Netherlands (it makes your toes curl -and not in a good way). I like Swayze but in this he's awful. The muscles in his jaws make overtime and he's frowning the whole movie -some one must have told him it looks butch. No Patrick: it looks silly and is compensation for lack of character. Alison Doody (Elizabeth) has opted for a style of acting that does not meet the style of her co-workers. Her acting is só relaxed that this movie could have been set in the current days. And it's not. Your frock was a clue, Alison.<br /><br />The best acting came from the people from the African Continent and Sided Onyulo as Umbopa I liked best. Clear, warm and in character, his performance is a joy to watch. <br /><br />General: it is mwah-entertaining on a rainy day. Pity. Could have been better. Sack the director. | 0NEGATIVE
|
I don't know why this conduct was ever tolerated in the movie business! This movie (short) is gross (to say the least)! It is a bunch of 5-7 year old children wearing diapers with big bobby pins, acting like adults (and too much so!). However, it is interesting because it is a good example of how "the good old days" may not have been so good after all! (Thank GOD we have laws against this kind of material now!)<br /><br />{This is one short from the "Shirley Temple Festival"} | 0NEGATIVE
|
Every Sunday, a trio of buds get together at a NYC diner to boast about their sexual conquests of the night before. Sometimes they're joined by a newlywed ex-comrade and hoochie hunter who hangs on them like a puling barnacle. They're unabashed horn dogs/corn dogs and Mia, who witnesses them on the prowl, decides that they need to be taught a lesson, dammit. Ergo, she'll date and dump - why not? All three of them! <br /><br />Gasp. What a wild idea. What a radical, naughty gal. Women now have the right to date and sleep around as much as they want to. As much as men do, even! <br /><br />There is one solitary laughable element in "Whipped" - namely the fact that not once, during the amigo's detailed discussions of their bodily functions and the tantric talents of the bed partners they trash, do the other customers in the diner turn around and say, "Dude, we're trying to EAT here." Indeed, a heh-heh gag has an older lady eagerly weigh in on the useful sexual properties of certain beverages. A big fat Kermit the Frog "Sheesh" to that.<br /><br />It's truly unfortunate that a buddy movie with a great setting, a smart, cute heroine and three possible pairings had to have such a cop-out ending.<br /><br />P.S. - 30 "whip-oosh" sound effects to the screenwriter for use of the phrase "You go, girl". It was tired in 2000, and it's tired now.<br /><br />Save your time and watch some "Sex and the City" reruns... | 0NEGATIVE
|
I saw this movie a couple years back. I could'nt sleep and there was nothing on. So I peeped it. What really gets me is it makes no sense and thats why its disturbing. Richard gets tied up in chicken wire and Jarvis starts making out with Richard's girl while she's unconscious. Then Jarvis's buddy Troubador is playing some stupid song on his guitar. By the next morning it shows Richard's girl talking to Jarvis and Trouby and then she walks back to Richard and looks at him while he's still tied up. Then they play some happy music and the movie is finished. I mean what happened? Did they brake up? And what was she saying to those 2 guys(Trouby and Jarvis)? Its to puzzling and to poor to. I can't stand movies that are disturbing and don't make sense. This was the worst film i've ever seen since the 90's version of Lord of the Flies. | 0NEGATIVE
|
NATIONAL LAMPOON'S CLASS REUNION was a flop when it was released. It didn't stay long in theaters in my big city. Why? Because it's BAD!!!!!<br /><br />Not bad in a good way but bad in a really painfully unfunny way. The entire cast of actors were mostly unknowns then and have remained unknowns after this turkey.<br /><br />The idea is actually great (a parody of slasher flicks) but the execution is sorely lacking in every aspect. <br /><br />Just avoid this "comedy". Your time is more precious than spending a nanosecond watching this embarrassing misfire. | 0NEGATIVE
|
There is no story! The plot is hopeless! A filmed based on a car with a stuck accelerator, no brakes, and a stuck automatic transmission gear lever cannot be good! I would have stopped that car within one minute whether I was in it or in the police car constantly following it. I feel sorry for the actors that had to put up with such a poor script. The few scenes that some similarity to action was heavily over-dramatized, and as far from reality you can get. In addition, there were a lot of blunders, for instance the hood of the runaway car, which was popped doing 100mph. At first it just folded over the windshield, like it would in reality, but then, afterwards, it blew off. The car was later in the movie observed with the hood on....<br /><br />This film was nothing but annoying, stay away from it! | 0NEGATIVE
|
While Leon is cute on SNL, he's only on for a minute. Like most SNL skits-to-movies, this one can't fill 90 minutes. It has some cute moments (the ones you've seen in the trailer) but the actors are largely wasted. Tim Meadows does his best but the plot just doesn't have many high points. Will Farrell has a bit part. Farrell may be the funniest man alive... but not in this movie. What a shame. | 0NEGATIVE
|
this movie was so gay like its a mom and son cat that have sex, they also get scared of little kitty cats. they get set on fire by them. the mom cat alien thing kills a guy by stabbing him in the back with an ear of corn? they are bullet proof. invisible. and what not. the star of the movie, Clovis, is the cops cat, Clovis leads the cops to find the mom alien, and after the mom kills the cops, Clovis kills the mom by eating her head then she catches on fire. this movie sucks. it was way way more funny than it was scary, it wasn't even scaryt at all. the girl hits the alien on the head with a camera, it knoks him out. she then goes and hugs her. the then grabs her and begins to rape her. once again, Clovis comes to the rescue | 0NEGATIVE
|
This film is not devoid of charm and also shows a bit of warmth, but ultimately this effort is too vain and too strongly focussed on the leads. There is no doubt that Mary Tyler Moore knows what to do with all her screen time but she takes too much of the limelight away from the rest of the cast.<br /><br />Another problem is the overburdening of the script with cliches. The daughter who secretly drops out of college, an older woman finding it difficult to get a good job (and first ends up with fairly demeaning work), the sleazy network executive with his executive toys who goes for glitz over substance, the journalist who sticks up for her beliefs, etc. There is nothing really wrong with any of these, i.e. they are all firmly rooted in reality, but in combination they are just too much and leave us with too much deja-vu and too few surprises. | 0NEGATIVE
|
Firstly I would like to point out that I only know of the show due to my younger sister always watching it. I find it the most annoying program on TV. There is nothing funny about any of the 'jokes' and the canned laughter is unbearable. The show would work much better if filmed in front of a live audience. That way the laughter would show just how 'unfunny' the show is. However I give credit to the acting talents of the young cast. It sickens me however to think that they'll look back on the show in the future and see how bad their first TV show was. The show links in well with the overall annoying voices and style of the CBBC presenters. Why the youth of today need to be shouted at so much is beyond me. That is all. | 0NEGATIVE
|
A terrible amateur movie director (no, not Todd Sheets), his new friend and sister explore a cave. The friend and sister fall in and get rescued. Meanwhile a gang of horribly acted girls are defending their 'turf'. Whatever the heck that means. This film and I use the term VERY loosely is so bad that it's.. well bad. The humor is painfully unfunny, the "action" merely sad. Now I've seen some atrociously awful 'horror' films in my time & failed to grow jaded in my approach to watching low-budget films, yet I still weep openly for anyone who choose to sit through this. ONLY for the most hardened maschocists amongst you. but the rest run away FAST!!<br /><br />My Grade: F | 0NEGATIVE
|
Even with a cast that boasts such generally reliable names as Val Kilmer and Lisa Kudrow, Wonderland fails to yield any sense of depth to this film. It barely brushes the surface of the incidents that happened on that July night in 1981. Kilmer just goes through the motions as John Holmes and Kudrow and Kate Bosworth are both hopefully miscast in the other two lead roles; as Holmes's wife and underage girlfriend, respectively. The rest of the cast has such small roles that it's impossible to get any dimensions from them. The film also stars Carrie Fisher, Ted Levine, Franky G, MC Gainey, Dylan McDermott and a cameo from Paris Hilton. | 0NEGATIVE
|
Formula flick of guy who wants girl, guy who will lie to get next to girl, guy who will get best friend to help in outrageous way (comedus reliefus, no?) to help deceive girl, etc. This one's been done to death, and with rare exception of a few z-rated outings, it's been done better.<br /><br />Stale plot aside, the leads are attractive and there's a couple of good moments. Jonathon Schaech has done better, and his acting here came close to being phoned in. Not a complete loss, but nothing new here in this tepid affair. | 0NEGATIVE
|
I once promised never to walk out of any film ( a personal policy that made me suffer through the most different kinds of dreck, such as Rambo 3, Baise Moi, Deep Impact) - but Mr. Seidl almost succeeded. Hundstage was a truly awful experience. Anyone who sees this movie will think that Austrians are a miserable, pathetic bunch of retards. It shows a world where love and humanity don't exist, a world where people humiliate each other only for one reason - to distract from their own miserable existence. By choosing a documentary-like style with non-professional actors (most of them look like straight from the imagination of Austrian shock-cartoonist Deix) director Seidl wants to make us believe that this is real life in Austrian (European? Western?) suburbs. The viewer is confronted with depictions of sex orgies, violence against women and handicapped people, madness and degradation. But this isn't social criticism. This is just pure shock without any aesthetic value. Instead you get bad acting, bad cinematography, bad filmmaking. If anybody needs a film like this to realize that there are things wrong in our society then this person must have walked through life with closed eyes. This is pseudo-social criticism with a sledge hammer. And it looks down on people in a disgustingly condescending way. It shows ugly people - that is not the reason why I hate it. But it depicts average people in an ugly, misanthropic way. And this is why this film is truly despicable. | 0NEGATIVE
|
You know what kind of movie you're getting into when the serial killer main character is being transported to the electric chair (in what seems to be a bakery truck), only to have the prison vehicle collide with (and I'm not making this up) a genetic engineering tanker truck. The goo which spurts forth melts him, and fuses his DNA with the snow, creating our protagonist, the killer snowman.<br /><br />My favorite portion of the movie, however, is an over-the-shoulder shot of the snowman thrashing some poor schmuck, in which his hands look suspiciously like a couple of white oven-potholder gloves.<br /><br />Mmmmm, schlock... | 0NEGATIVE
|
How can Barry Levinson possibly assemble white-hot comedy talents Ben Stiller and Jack Black, the gorgeous Rachel Weisz, old pro Christopher Walken and still deliver such a humourless stinker?<br /><br />Stiller and Black are friends until the latter invents a spray to make dog mess vanish and becomes a conspicuous consuming multi-millionaire.<br /><br />The premises is thin but sound enough in the right hands to have been a springboard for some great bitching between the two stars but all concerned overplay every hand, every chance they can.<br /><br />Stiller and Black are simply not funny for way too much of the time, Weisz looks sensational as always but is criminally underused and, with the exception of Walken as a batty barfly who urges Stiller's character to take revenge, it's a turgid trudge to the end of this strained farce. | 0NEGATIVE
|
Need a lesson in pure, abject failure?? Look no further than "Wizards of the Lost Kingdom", an abysmal, dirt-poor, disgrace of a flick. As we all know, decent moovies tend to sprout horrible, horrible offspring: "Halloween" begat many, many bad 80's slasher flicks; "Mad Max" begat many, many bad 80's "futuristic wasteland fantasy" flicks; and "Conan the Barbarian" begat a whole slew of terrible, horrible, incredibly bad 80's sword-and-sorcery flicks. "Wizards of the Lost Kingdom" scrapes the bottom of that 80's barrel, in a way that's truly insulting to barrels. A young runt named Simon recaptured his "good kingdom" from an evil sorcerer with the help of a mangy rug, a garden gnome, a topless bimbo mermaid, and a tired-looking, pudgy Bo Svenson. Svenson("North Dallas Forty", "Inglorious Bastards", "Delta Force"), a long-time b-moovie muscleman, looks barely able to swing his aluminum foil sword. However, he manages to defeat the forces of evil, which consist of the evil sorcerer, "Shurka", and his army of badly costumed monsters, giants, and midgets. At one point, a paper mache bat on a string attacks, but is eaten by a 1/2 hidden sock puppet, pitifully presented as some sort of dragon. The beginning of the film consists of what can only politely be described as bits of scenes scooped up from the cutting-room floor of udder bad moovies, stitched together in the vain hope of setting the scene for the film, and over-earnestly narrated by some guy who never appears again. Words cannot properly convey the jaw-dropping cheapness of this film; the producers probably spent moore moolah feeding Svenson's ever expanding gullet than on the cheesy fx of this flick. And we're talkin' Brie here, folks... :=8P Director Hector Olivera("Barbarian Queen") presents this mish-mash in a hopelessly confused, confuddled, and cliched manner, destroying any possible hint of clear, linear storytelling. The acting is dreadful, the production levels below shoe-string, and the plot is one tired cliche after another paraded before our weary eyes. That they actually made a sequel(!!!) makes the MooCow's brain whirl. James Horner's("Braveheart", "Titanic","The Rock") cheesy moosic from "Battle Beyond the Stars" was lifted, screaming and kicking, and mercilessly grafted onto this turkey - bet this one doesn't pop up on his resume. Folks, you gotta see this to believe it. The MooCow says as a cheapo rent when there is NOTHING else to watch, well, it's moore fun than watching dust bunnies mate. Barely. :=8P | 0NEGATIVE
|
Zodiac Killer. 1 out of 10. Worst acting ever. No really worst acting ever. David Hess (Last House on the Left
. No the one from the seventies
. Rent it it's really good) is the worst of the bunch (Pretty stiff competition but he is amazingly god-awful.) One would be hard pressed to find a home movie participant with such an awkward camera presence. The film actually screeches to a stunning painful halt when he is on the screen.<br /><br />Not that the film actually has any redeeming qualities for Mr. Hess to ruin. It is filmed with a home movie camera and by the looks of things a pretty old one complete with attached boom mike. No post production either. Come on there has to be some shovelware a five year old computer could use that could clean up this picture. Throw in bizarre stock footage pictures of autopsy's and aircraft carrier takeoffs and this is one visually screwed up picture. The autopsy pictures are interjected the way Italian cannibal films interject those god-awful real life animal killings. And the Navy footage is supposed to be some anti war statement (Cause we know all the bloodthirsty maniacs join the Navy) What in the world is Lion's Gate is doing releasing this garbage? It would embarrass Troma. The plot is about the Zodiac Killer (Last seen in Dirty Harry
. No the one from the seventies
. Rent it it's really good) Somebody gets shot in the stomach in LA and the cops assume the Zodiac Killer is back? Uh-huh. What can you expect from a movie that doesn't know that DSM IV is a book not a psychiatric disorder and where the young killer older man relationship resembles that of a congressional page and closeted congressman? Yeah eighties haircuts and production values meet a Nambla subplot. Sign me up. | 0NEGATIVE
|
The plot is plausible but banal, i.e., beautiful and neglected wife of wealthy and powerful man has a fling with a psychotic hunk, then tries to cover it up as the psycho stalks and blackmails her. But, what develops from there is stupefyingly illogical. Despite the resources that are available to the usual couple who has money and influence, our privileged hero and heroine appear to have only one domestic, their attorney and local police (who say they can do nothing) at their disposal while they grapple with suspense and terror. They have no private security staff (only a fancy security system that they mishandle), household or grounds staff, chauffeurs, etc. Not even, apparently, the funds to hire private round-the-clock nurses to care for the hero when he suffers life-threatening injuries, leaving man and wife alone and vulnerable in their mansion. Our heroine is portrayed as having the brains of a doorknob and our hero, a tycoon, behaves in the most unlikely and irrational manner. The production is an insult to viewers who wasted their time with this drivel and a crime for having wasted the talents of veteran actors Oliva Hussey and Don Murray (what were they thinking?). And, shame on Lifetime TV for insulting the intelligence of its audience for this insipid offering. | 0NEGATIVE
|
Don't let the name of this film deceive you, In reality Jake Speed the character is quite possibly the laziest action hero ever known to film. When Jake Speed is not saving virgin girls from evil madmen, which he is often not, he's seriously relaxing. Perhaps this adds to his charm, but in my opinion an action hero is not suppose to "chill out" whenever he gets the chance. Furthermore, unlike other daring heros who usually have an impressive list of talents, this man has none, unless of course you call sleeping a talent. Anyhow, this movie is basically worthless, the writing is sub par and the action, when there is some, is very lame. (The machine guns on the jeep weren't bad, but that's about it) So, if you're in the mood to watch a movie that is a cure for insomnia, then this piece is perfect for you - It has a hero that not only puts himself to sleep, but also his audience. | 0NEGATIVE
|
Darcy and her young daughter Pamela are heading out to the country where her mum's boyfriend Peter left his doctor's position in the city to become a writer and fix up a bed and breakfast inn. Although this inn has a terrible past and Pamela learns from one the girl's who lives in the town that a deformed witch once reside in that house. They called her the 'Tooth Fairy' as she would kill kids after getting their last baby tooth. This work on the inn, has awoken the 'Tooth Fairy'. Now she has her sights on Pamela and her last baby tooth, but if any gets in the way they face the same fate that awaits Pamela.<br /><br />This flick's old folk myth of the 'Tooth Fairy' doesn't paint her in a very generous way, as you would believe when you were a child. Don't they just love turning happy childhood memories into nightmares! Another one which did fall into the same category was "Darkness Falls (2003)". I can't compare how similar they are in the premises, because I haven't seen the latter, but I mostly read they have basically share the same idea. For a little straight to DVD film, this DTV effort looks good and has some promising images surrounding the senseless and traditionally by the book plot device. Low expectations are needed, as I wouldn't class it as an success, but I found it be to marginally entertaining.<br /><br />Cory Strode and Cookie Rae Brown's story or background for this 'Tooth Fairy' character is completely bare with it leaning more towards a slasher vehicle than anything really supernatural. Silly is a good way to describe what's happening in this poorly scripted story, but it never really feels like a fairytale horror. The dialogues can seem rather redundant and morally hounded. While the acting is simply sub-par with the bland characters they have to work off, but director Chuck Bowman offers up some inventive blood splatter and terribly nasty jolts. This kinda makes up for the lack of suspense, the zero scares and generic tone. His direction is reasonably earnest and visually able, where he gets some atmospheric lighting contrasting well with its slick photography. The promising opening scene is creepily effective. His pacing can slow up in parts and there's the odd and unnecessary slow-motion scene put in, but nonetheless it never gets too stodgy with something active occurring which made sure that I wasn't bored.<br /><br />The make-up special effects provided the goods, as there's enough repulsive gruel and the Tooth Fairy's appearance is especially gooey. The figure of the tooth Fairy can look threatening in its black robe, bubbling make-up and swift movements. Being on location helps carve out a more natural feel and can get atmospherically rich in its sense of eeriness. Child actors can be incredibly annoying, but Nicole Muñoz was decent in her part. Lochlyn Munro and Chandra West are somewhat solid, but can be a little too causal in their performances as Peter and Darcey. The radiantly gorgeous Carrie Anne Fleming is one of their lodgers. P.J Soles shows up in small part as a superstitious neighbour who tries to warn them about the evil that lurks at the inn.<br /><br />I thought it was a okay time-waster that has a sound concept, which just isn't fleshed out enough and the execution is pretty textbook stuff. Watchable nonsense, but at the same time extremely forgettable. | 0NEGATIVE
|
If you don't mind having your emotions toyed with, then you won't mind this movie. On the other hand, if you enjoy British crime mysteries, following clues and seeing how they all logically fall into place at the end, you'll be very disappointed.<br /><br />Here are some of the logical inconsistencies that lead to that disappointment: <br /><br />* While the police utilize the CCTV cameras early on to gather clues about the mystery, the huge truck that stopped and blocked the children's view just before her disappearance doesn't get caught on camera. This is a critical piece of the mystery. It's inconsistent to have the car the children were in caught on camera and not the big truck that is so critical to the mystery.<br /><br />* The movie goes to great lengths to show the sophistication of the equipment in tracking down the children's movements but misses the opportunity to utilize the same sophisticated equipment is tracking down vehicles that may have entered the crime scene from camera-visible locations adjacent to the crime scene as part of developing clues.<br /><br />* In England, driving is on the left. The director goes out of his way to have the car at the crime scene park on the right, several meters away from the flower kiosk, when it could have easily parked immediately behind, or even on the side; as the huge truck did.<br /><br />* The police forensics team is so meticulous as to find a discarded cell phone in a sewer drain several miles from the scene of the crime, but can't find any blood evidence from the head injury right at the crime scene, even though they secured the scene just hours after the disappearance and with no intervening rainfall.<br /><br />* Search dogs were not used at all to find the missing children; this from the country that is well known for developing the hound dog for search and hunting.<br /><br />* It is illogical that such a highly publicized news story would not turn up the presumably innocent truck driver that stopped at the flower kiosk.<br /><br />* It is illogical that the mother would go to such extremes and expend so much effort to leave carpet fiber clues under her fingernails for her eventual murder investigators even coaxing her daughter to do the same-- while she simply could not have crawled out of the unguarded mobile home. If she had enough sense about her to ask her daughter to get carpet fibers under her nails, she could of just as easily asked her daughter to call out for help or even leave the mobile home that was in a crowded residential park.<br /><br />* The suspect that abducted the little girl was portrayed as mentally slow/dimwitted --justifying his unknowingly drowning of the mother but, he was smart enough not to cooperate with the police and also fully exercise his rights not to self-incriminate.<br /><br />There are more inconsistencies like this that will lead to a true sleuth aficionado's disappointment. 'Five Days' is a very weak British crime story. | 0NEGATIVE
|
If you rent a movie titled "Exterminators of the year 3000," the odds are good you know what you're getting yourself into. I myself was sold by the promising descriptions of "nuke mutants," "motor-psychos," and of course the "exterminators" themselves which, according to the back of the movie-store case, are all cavorting around a post-apocalyptic barren wasteland wreaking all sorts of mayhem. Let the wacky hijinks and low budget buffoonery ensue--at least, such were my hopes for this "film."<br /><br />Now I like the occasional terrible movie, and if you're reading the comments on Exterminators of the Year 3000, you probably do too. That being said, I rated this film a solid "1(awful)"--not because I completely hated the film but because it is one of the most legitimately dreadful efforts at movie-making I have ever seen. The dialogue, the acting, the cinematography, the sound-editing, the editing in general, the plot, etc., etc., etc--all are worthy of what must surely be low spectator expectations given that marvelous title.<br /><br />So what is really "good" about this bad movie? It does have several of what my circle affectionately terms "quality kills." A quality kill, for those few of you unfamiliar with the phrase, isn't a hard and fast term, but in general refers to someone killed in a particularly gruesome, creative, or ridiculous fashion.<br /><br />Exterminators of the Year 3000 also has a fair supply of "dialogue-so-bad-it-becomes-funny," provided in great part by Crazy Bull, the aptly titled leader of the hapless motor-psycho gang--who incidentally also provide most of the quality kills (if you're hoping for big things from the nuke mutants, think again, they play essentially zero part in the movie...shucks!). Crazy Bull, however, is all you could ask for in a b-movie motor-psycho. Shakespearean paraphrase and oddly PG-style insults are all he knows how to say...and that's terrific.<br /><br />Despite its quality kills and bad dialogue, however, if you're looking for a truly entertaining bad movie, Exterminators of the Year 3000 does disappoint somewhat in that with its draw limited to things like silly and outdated special effects, quality killing, and bad dialogue, there is simply not enough to justify a full feature length, owing principally to the forty minutes or so in which the audience is forced to follow the characters in protracted and boring car "chases" and long desert hiking sequences...All in all, a pretty good awful movie, but hey, it's no Death Race 2000. | 0NEGATIVE
|
Possible Spoilers, Perhaps. I must say that "Cinderella II: Dreams Come True" is one of the worst movies ever made. First of all, the movie was made during the height of Disney's sequel rampage. It was created around the same time as "The Little Mermaid II," "The Jungle Book II," and "Peter Pan II," all of which were disservices to their original film classics. (Disney also made "The Hunchback of Notre Dame II" and "Atlantis II," but I'm going to drop that topic because their original movies were never really classics in the first place.") Let me go ahead and say that I am an avid supporter of good Disney films, and I absolutely adore the original Disney "Cinderella." The sequel to "Cinderella," however, was a waste of time. The character of Cinderella in the sequel was so very unlike the original girl that I grew up watching. In the original, Cinderella was kind and loving. The new Cinderella had very out-of-character moments with current-era phrasing like, "I'm going to do this banquet my way!" Let me also tell you that new Cinderella (as I have affectionately named her) says, "Ewww!" That is the anti-Cinderella. I try to find the best in people, but in the sequel, Anastasia, one of the stepsisters, is good! What the heck? Why? They made it all out to be like Lady Tremaine and Drizella are just horrible family members for poor little Anastasia. My question to the world: did the people at Disney watch the original "Cinderella" when making this sequel? Well, it surely doesn't seem so. If I remember correctly, Anastasia was just as abusive to Cinderella as Drizella and Lady Tremaine. I am all for redemption and forgiveness, but there was no point of redemption for Anastasia in this movie. In the first one, Anastasia was evil. In the second one, she is good. One just can't leave a story like this. I hope Disney realizes that this movie, among other movies, is shaming Walt Disney's name. Perhaps now that Michael Eisner is gone, things will start shaping up around the House of Mouse. | 0NEGATIVE
|
I go to UCSB and take some classes with the executive producer, Alison Anders. She's a superb teacher and director so anything she put her name on, I thought must be pretty good. This film as a selection at the Santa Barbara film festival seemed like a good choice.<br /><br />While this movie included some nice shots and cinematography, the lack of story and coherence really took away from anything the it was attempting to accomplish. My main problem was that this was someone's first film and you could obviously tell. Bad acting and an even worse screenplay stopped this film from getting off the ground. The soundtrack had some nice music that gave a sense of the main characters struggle to cope with the sadness that lead to his leaving and now returning the place he grew up. I just have to say that despite some of the better craft of the film, it's lack of story and performance really prevented it from being some good. | 0NEGATIVE
|
I was hoping for some sort of in-depth background information on the Apollo 11 mission and what I got was some decent interview material with Buzz Aldrin Gene Krantz and other people involved in the mission, linked by over-hyped disaster-predicting sensationalising voice-over in the worst tradition of TV production.<br /><br />If you could cut out the voice-over and change the spin of the program to a positive testament of how people can overcome setbacks to achieve a goal out of the ordinary then this could've been great - but I feel I've wasted about 45 minutes of my life whilst watching a 60 minute programme. I want those minutes back. | 0NEGATIVE
|
Oh my god. oh my god, i cant get over this movie. It was god-awful. horrible, terrible! Don't even waste your money to buy it in the 99 cent bin. No, avoid it at all costs I'm warning you!!!<br /><br />It was the worst movie I've ever seen. In my life. In my life!!<br /><br />First of all, G-girl? Are you kidding me. Get real that sounds like some kind of new Barbie doll.. Super Women? Are you kidding me. It was so fake fake fake fake. The people of the town didn't even seem to care that there was a flying blonde just zooming her way around the town saving a fire.. Ohh big!<br /><br />Jesus, was it just me or did this movie seem offensive?? I guess what you need to be a super hero is a couple of double D's, blonde flowing hair, no glasses and a leather skin tight suit?!<br /><br />If it was trying to be romantic ... than.. god, i don't know. It was horrid, if love means taking some one to an art show and than having sex in a bed AND in the air.. than they totally had love!<br /><br />It was pathetic, everything went too fast. First that guy was single, than he was dating G-girl.. than they broke up than he dated that Hannah girl.. and.. it just goes on. <br /><br />I have to say this movie made me wonder.. How the hell did they get this in theaters??!!<br /><br />Avoid this movie at all costs. | 0NEGATIVE
|
1 is being pretty generous here. I really enjoyed BOOGEYMAN, even though it is not really the BOOGEYMAN promoted on the DVD cover and we all know it! It creeped me out. But this film, it is something else. For being directed by a guy who has been around a long time and directed a lot of movies, it looks like it was shot on a VHS camcorder by a 10 year old! The story and acting are atrocious! David Hess, you have let me down too. After playing one of the most menacing villains in film history, you have resorted to this? The story and acting may have been able to be forgiven however, if anyone had taken the time to make the video look somewhat professional. There are a LOT of shot on video films out there that don't look like it, or at least aren't so obvious that it detracts your attention from the film. I can't say it is the worst movie ever, because I couldn't make it through the entire film, but it is certainly close. | 0NEGATIVE
|
Boy what a dud this mess was.But it only lasts an hour and I only paid a buck for it so I'll live....unlike the entire cast of this 1933 clunker who are all dust by now.<br /><br />So anyway a small village starts having bodies turning up that have been drained of all their blood.The local yokels start talking about vampires ,of course,and a little more loudly after each body is found.The town sheriff or constable or whatever he is,played by awesome actor Melvyn Douglas,tries to tell them otherwise.When he mentions the fact that the dead have one large hole on each side of the neck,instead of two holes close together, the locals simply then say it's a giant vampire bat.The constable insists that vampires do not exist and it must be a human culprit doing the killings.<br /><br />But Melvyn doesn't seem too bothered either way.He spends most of his time trying to get into the pantaloons of his sweetie,played by Faye Wray.Also in this mix is the town simpleton,played by Dwight Frye,who always seemed to have played the same role in every movie he did.He further freaks out the townspeople by catching bats and drinking his own blood.Lionel Atwill plays the town doctor who seemingly is trying to help the constable solve the crimes.And boy does he ever stink as an actor.Atwill is as close to cardboard in this role as he could get.And Lionel Barrymore is also in this thing....lots of big names to be such a pile of guano.<br /><br />Other than the terrible mis-title this movie has,the alternate name,"The Blood Sucker" is much better,this movie is also dull and plodding and just silly.<br /><br />For me the high point of the movie is watching Frye,he nails the freaky town weirdo but other than him this movie didn't offer much.And then when you find out the reason for the strange deaths and see the special effect thing that required all this blood you'll really be let down.<br /><br />Bela Lugosi did a lot of awful pictures but at least he was fun and interesting to watch.Think of this movie as a really bad Lugosi clunker WITHOUT Lugosi and you'll get a feel for how miserably bad this mess was.<br /><br />If you can't make a good 1930's horror film at least put Lugosi in it. | 0NEGATIVE
|
OK, people, honestly... this gotta be one of the worst movies about show biz that's ever been made, but I've been laughing myself silly (which may be why I enjoyed it). Basically, it's all about sex, sex and a way to get your own personal 15 minutes of fame. Did I mention that sex was a major issue in this movie? If you have a thing going for bizzzzare characters and easy entertainment, watch this movie when you get the chance (and don't have something better to do). <br /><br />***Attention spoilers!!!*** The funniest thing on the movie was the guy who asked Jerry whether he could marry his goat (!) on the show and flashing his wallet with his love's pictures. A triple A for bad taste and fun! | 0NEGATIVE
|
Maybe this isn't fair, because I only made it about halfway through the movie. One of the few movies I have actually not been able to watch due to lameness.<br /><br />The acting is terrible, the camera work is terrible, the plot is ridiculous and the whole movie is just unrealistic and cheesy. For example - during a coke deal, the coke is just kept loose in a briefcase - I'm no expert, but I think people generally put it in a bag.<br /><br />They use the same stupid sound effect whenever a punch is thrown (it's that over the top 'crunching' sound" and they use toy guns with dubbed in sound effects.<br /><br />Worst movie ever. | 0NEGATIVE
|
I love sharks. And mutants. And explosions. Theoretically, with those parameters in mind, HAMMERHEAD: Shark Frenzy should have been the best movie ever.<br /><br />It is not.<br /><br />The monster looks like a villain from Power Rangers, and has approximately the same range of rubbery movement. This might be okay if the makers weren't quite as proud of its design as they seem to be. That is to say, for a guy in a big rubber suit in an action/scifi/horror flick that could benefit from some mystery, the shark gets a lot of screen time. Granted, it is usually shaky and erratic. I guess you're supposed to assume that it's so scary that even the camera guy freaks out.<br /><br />The camera goes to a person about to get eaten, the camera goes to the shark. The camera goes back to the person about to get eaten, only now they are screaming and armless. And so on.<br /><br />The costuming is bad, the acting is poor, and the special effects are sub-par, but the writing is by far the worst. Things happen completely randomly so that more people can be eaten, or so something can explode. Because LET ME TELL YOU, the people who made this movie definitely went in with a more explosions = more better mindset. Characters shoot cars and there is a massive explosion. They shoot helicopters, there is a massive explosion. Barrels, rocks, trees, WHATEVER, they all explode, so much so that the freaking shark even explodes at the end.<br /><br />Speaking of which, I don't care how crazy a person is, I find it hard to believe that anyone would think trying to make a giant half-person half-shark have sex with a woman in order to make freaky shark people babies is a good idea. That is, UNLESS that person is the mad scientist in this movie.<br /><br />The bad thing is, the movie is so random (and at times, boring) that even its badness is not really enough to hold a person's prolonged interest. It might be a good one to MST3K with your friends, but past that, if you happen to catch this bad boy on, do yourself a favor and change the channel. | 0NEGATIVE
|
I just loved watching it though and having fun with it's total badness of a film. I saw this film through the helpful sarcasm of Mystery Science Theater 3000 and I have the DVD. If you flip the to the other side of the DVD, they show the actual movie, so I gave it a chance. Seriously, folks this is grilled cheese.<br /><br />The acting, special effects, and plot in general is very cheesy and unrealistic. "Doesn't she need lungs" said Crow noticing how the head can still talk while it doesn't have a body, and Tom Servo just wistfully remarks "No, she's got neck juice!". The ending is just classic and no one can touch this soundtrack with K-Porn! I loved the "cat fight" between the two strippers. That "Meow" after the fight or scene, whatever, was classic. So, in some ways this was a fun movie. I think for horror fans, you'll probably enjoy it. For a good time, watch the MSTK3 version, you'll get a great laugh.<br /><br />MST3K version: 10/10 The Brain that would die: 1/10 | 0NEGATIVE
|
Hood of the Living Dead and all of the other movies these guys directed look like they got together and filmed this with their buddies who have zero talent one afternoon when they were bored (lines are completely unrehearsed and unconvincing). I find that 95% of amateur movies and 90% of home video footage is better than this film (although the similarities between them warrant the comparison). "Hey lets see if anyone is dumb enough to buy our movies!". Hopefully nobody ELSE wasn't. My apologies to those involved in the flic as this review is somewhat harsh but i was the dope who read your fake reviews and purchased the movie. | 0NEGATIVE
|
I watched this film because I'm a big fan of River Phoenix and Joaquin Phoenix. I thought I would give their sister a try, Rain Phoenix. I regret checking it out. She was embarrasing and the film just has this weird plot if thats what you want to call it. Sissy was just weird and Jellybean just sits on a toilet who both sleep with this old man in the mountains, whats going on? I have never been so unsatisfied in my life. It was just total rubbish. I can't believe that the actors agreed to do such a waste of film, money, time and space. Have Sissy being 'beautiful' didnt get to me. I thought she was everything but that. Those thumbs were just stupid, and why do we care if she can hitchhike? WHATS THE POINT??? 0 out of 10, shame the poll doesnt have a 0, doesnt even deserve a 1. Hopefully, Rain is better in other films, I forgive her for this one performance, I mean I wouldnt do much better with that film. | 0NEGATIVE
|
This is going to be the most useless comment I have ever put down, but yet I must do it to warn you about the atrocity to cinema that "Freddy's Dead" is. It is not only the very worst chapter of the Nightmare series, but is right up there with the worst horror sequel of all time! It was boring, pointless, and nearly death free. The horrible 3-D ending and over-the-top CORNY kills are enough to drive this "film" into the ground. However, it doesn't stop there, just add bad acting, a terrible script, and a number of cheesy cameos and you've got yourself this heaping pile of guano! It's no wonder why Freddy, as always played by Robert Englund, has made two postmortem appearances. I would too if I went out like that. This is a strictly fans only movie, don't stare at our shame. | 0NEGATIVE
|
A film so insecure the creaters perhaps hoped to milk an original film noir classic title, "Farewell My Lovely", thinking the gullible would assume it a remake. The characters are so foul and unappealing that it deserved its cold reception when first released. Time only adds to it its absurdity. Having none of the guile, cinematography, desperation or despair of classic noir it relied instead on a convoluted and senseless crime plot that would have easily resulted in several arrests within hours. As if that weren't enough it threw in an utterly sexless attempt at erotica in which at least one of the participants hadn't bothered to bathe in several days. This only made this mess all the more painful to watch. Find a good classic forties or fifties film noir instead of wasting two hours on this failure. | 0NEGATIVE
|
This was a truly insipid film. The performances are third rate, and the dialogue is so stilted that at times it seemed to have just rolled over and died. My reason for renting this was simple: Find a movie with scriptwriting. I needed a visual aid for my presentation, so I figured why not use a clip? Boy was I wrong. After searching my local video store, I came upon this, where it was suspiciously titled "Starstruck". I thought, "What the hey", and decided to give it a try. Well, I was very unhappy with my results. There was maybe one scene I could use, and meanwhile, I was practically falling asleep because of the sheer banality of the flick. So.....I took this back and picked up Ed Wood. There's a movie I can use as an example. Then again, anything would be presentable compared to the drivel that is "Starfucker". | 0NEGATIVE
|
Never saw the original movie in the series...I only hope it was a much better movie than this or the sequel made in the 1980's as if it is not how were these two terrible sequels even justified. This movie had a really good lead in when they were advertising it to be shown on one of those old independent stations that are a thing of the past now. Anyways it looked like it would be a pretty good scary movie. It was, however, a movie that would make some Walt Disney movies look dark. Really, this movie was just a bunch of light fluff with virtually no boggy creek creature to be seen. The only real sighting is near the end when you see its shape during a very heavy rainstorm, other than that there is virtually no sign of the creature which was really disappointing as a kid. The story is basically the old evil hunters must kill anything they see and are after the boggy creek creature and kids are out to help it or just some random hairy guy in the woods that likes to pull random boats through the water. Not really worth watching I would however like to see the original, granted the maker of that would make the also bad boggy creature of the 80's, but he also made a very good slasher movie in the 70's "The Town the Dreaded Sundown". | 0NEGATIVE
|
Sadly I don't remember the book anymore, but I do recall that I was captivated by the stories of Edgar Wallace. This Film represents a typical German Production of low quality. It does not hold my attention - although the story itself is good, it is just badly adabted. At the center of the misery are the characters that are overly simplyfied and exaggerated - they have no nuances in their performances. Even the well known and liked German Actors Joachim Fuchsberger and Eddy Aren't cannot rescue this poor spectacle. However there's hope ... I've been told that the films following this one are getting better and better. So in conclusion I must say that this film doesn't deserve the cinematic screen but may be enough for a lazy afternoon. | 0NEGATIVE
|
End of preview. Expand
in Dataset Viewer.
- Downloads last month
- 4