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[ "First, what I didn't like. The acting was not really up to the Hamlet standard. Branagh was really over-the-top, doing a lot of yelling mostly. In my opinion, those actors who were not big-name celebrities generally did a better job; though I would except Billy Crystal and Robin Williams. (And Charlton Heston, too, but I wasn't sure if he was playing at being a hack.) A lot of the ambiguities in the play were clearly resolved one way in the flashbacks.<br /><br />What I think speaks very much in this play's favor is that it is accessible. Shakespeare is hard to understand for the vast majority of people nowadays; many people are not even inclined to try, because of its reputation as Serious Literature and its archaic English. If they see this film they will understand clearly at least one man's interpretation of the play. They will be seeing it more as Shakespeare's audiences saw it: a play with sword fights and battles, and mighty kings and nobles, murder and incest and evil schemes and ghosts--and great art, if one cares to look for it, but in Shakespeare's day most didn't, any more than most people do now. Branagh's overacting, and his forcing of his interpretation of the story on the viewer, may detract from Shakespeare's art somewhat, but it is better that modern audiences get a piece of it, rather than nothing.<br /><br />I've got to say one more thing though. Some people are complaining that \"it's set in the 19th century and that wasn't Shakespeare's time\". Well, in Shakespeare's time their costume and scenery was that of their own day for all of their plays. Shakespeare may have SAID it's in the days of ancient Rome or medieval Denmark or whatever, but he didn't dress his characters up like they were, he used the costumes of his own time. For the same reason his plays are full of anachronisms. For example, in King John the English and French have cannons--in Robin Hood's day. In Julius Caesar they talk of chimneys, which wouldn't be invented for another thousand years, and in Henry IV they talk about Machiavelli, who wasn't even born yet then. So I think this objection is silly--you might as well complain that the play isn't in Danish (after all they live in Denmark don't they?)." ]

[ "Mild SPOILERS contained herein. I'm spoiling this film to save you the trouble of having to watch it. <br /><br />Jet Li's movies fall into one of two categories: Shaolin period movies and movies set in modern-day Hong Kong revolving around Triads or Triad like organizations. Each genre has its best and worst films. `Twin Warriors' is Jet Li's best Shaolin era flick while `The Evil Cult' is his worst. `Fist of Legend' while in the recent past is the best `modern era' Jet Li movie. `Black Mask' without a doubt is the worst.<br /><br />Jet Li plays a self-exiled mercenary who received an injection that gives him superhuman ability, but shortens his life span. In his `new life' in exile he plays a pacifist librarian. When his old mercenary squad goes on a rampage, Jet Li becomes a vigilante determined to stop them. He dons a very silly corrugated cardboard mask so as to conceal his identity from the police (and public) as a librarian, as well as to conceal his true identity to his ex-comrades in arms.<br /><br />The version I saw was dubbed, and horribly at that. Why does Jet Li capture and hold hostage his library co-worker if he's a pacifist? Is there a love story between them? Why does the police chief not care when he learns of the Black Mask's true identity? The plot is just plain BAD. Bad by way of the superhero cheesiness, bad in the sense that characters are never properly developed, bad in its character interactions, all topped off by a half-explained story I quickly lost interest in. <br /><br />The action and martial arts sequences are way over the top. Lots of blood, gore (severed body parts aplenty), explosions, and Matrix style superhuman martial arts fiascos are present in the film. Unfortunately this is the films best and only selling point. If you want to see Jet Li playing a vigilante superhero in a Mission Impossible style movie `Black Mask' delivers. For the rest of us Jet Li fans it is a true disappointment. This is one of those movies where Jet Li never gets to be Jet Li: he gets neither the chance to charm us with his charisma, nor a chance to impress us with his impressive yet realistic martial arts ability. <br /><br />Normally a Chinese knockoff of Ozzy Osbourne would be enough to engross me in a film, sadly `Black Mask' proved to be an exception to that rule. Indeed the antagonist of this movie, by the way he dresses, his long straight hair, and trademark round sunglasses looks like the modern and aged Ozzy Osbourne. However the villain isn't on-screen long enough to make the gimmick worthwhile. I am assuming the likeness to Ozzy was intentional; in addition to the villain's look, he also ran a satanic looking hideout. So much more could have been made from the Ozzy Osbourne villain gimmick! If only the writer, director, or ANYONE had bothered to give a background to and develop the character of the film's arch villain!<br /><br />`Black Mask' was the first Jet Li film released on video in the USA after Lethal Weapon 4, and I'm glad I stayed away from it until now. It may well have ruined my whole perception of Jet Li as a martial artist and actor. If you want to see Jet Li at his worst, rent `Black Mask' and `The Evil Cult' and make it a double feature or horror, both intentional and unintentional. Otherwise stick to moves that utilize the talents of Jet Li, and have plots that are semi-well thought out and plausible. 3/9 stars." ]

[ "Theo Robertson has commented that WAW didn't adequately cover the conditions after WWI which lead to Hitler's rise and WWII.<br /><br />Perhaps he missed the first ONE and a quarter HOURS of volume 8? Covers this period, and together with the earlier volumes in the series, shows clearly the existing conditions, I feel. A friend of mine grew up in Germany during this period, joined the Hitler Youth even, and his experiences were very similar to that mentioned in WAW.<br /><br />This documentary is SO far above the History Channel's documentaries I also own, that there is no comparison.<br /><br />The ONLY fault, and it is a small one, that I have with WAW is this: the numbers are not included, many times. For instance, if you're talking about lend-lease, then how much war material was lent/leased? How much to Russia, how much to Britian? How many merchant ships did the U-Boats sink, and when? How many ships did the German or Japanese Navy have, total, in 1941? What type were they? How many troops? How many troops did the allies have, in total, and by country? Lots of numbers could have made a lot of viewers nod off, but I would have preferred MORE! And naturally, I always want to see more military analysis. Like WHY didn't Patton & Clark trap the German army that was at Cassini, after they had it surrounded, instead of racing Monty to Rome, and letting it escape? I don't think you can begin to understand war until you've seen some of these video segments on \"total war\", like the fire bombing of Dresden. It's like trying to understand Auschwitz, etc., before you see the clips of the death camps: you just can't wrap your head around it - it's too unbelievable.<br /><br />Unknown at that time, and of course, unfilmed, were the most egregious cruelties and inhumanities of the Japanese, including cannibalism, (read \"Flyboys\"), and some LIVE vivisection of medical \"experimentation\" prisoners, w/o any anesthetic! <br /><br />Dave" ]

[ "The sun was not shining, it was too wet to play, so I went to the movies, that cold, cold, wet date day.<br /><br />\"The Cat in the Hat\" was the name of the flick, and when it was over, my stomach was sick.<br /><br />Mike Myers played the Cat, his humor was lame, and kids needn't see this, the humor was not tame.<br /><br />the film was like drinking milk, from a rabid cow, so it IS fun to have fun, yet the filmmakers didn't know how.<br /><br />This film, in short is atrocious. The acting was bad, the plot was tweaked too much, and the humor was surprisingly very crude.<br /><br />It starts with Conrad and Sally, A rule breaker and a future sheriff. When their Mother has to go to work, she gets Mrs. Kwan to babysit. Possibly the lone funny part in the movie is when Mrs. Kwan is watching a Taiwanese court room, a `la C-SPAN. She soon falls asleep, and here comes the Cat.<br /><br />The film starts to spiral out of control. The Cat came to try to let the kids have some fun. He's got Thing 1 and Thing 2, Who suddenly start trashing the house. He improvises a TV Infomercial, and accidentally slices his tail off. And when the Cat goes full Carmen Miranda, it's not funny. Possibly his only funny disguise is as a hippie activist. And there's a fish who tries warning the kids about the Cat.<br /><br />Too bad he didn't warn us this film was as much fun as sour milk, or chopping your tail off.<br /><br />Soon the kids are outside looking for the family dog, who has the key to a crate on his collar. If the crate is not locked soon, their house will be home to the Cat's universe. Here it gets a little more interesting, but not enough to save the film.<br /><br />The acting, overall, is horrible. Mike Meyers brings his brand of irreverent Austin Powers humor to the Cat, Saying things like \"You dirty ho\" and imagining himself as a woman for the rest of his life after a whack in the testicles while posing as a pinata. Spencer Breslin is great as the trouble-making Conrad, and Dakota Fanning is cute as Sally, though they alone are not enough to save this horrendous Aortic Dissection waiting to kill John Ritter(accident waiting to happen). Alec Baldwin's slick and slimey Lawrence Quinn is disgusting, ever trying to woo the kids mom, who is played by Kelly Preston. And Sean Hayes is Mr. Humberfloob, Mom's boss, and is also the voice of the fish. The latter three are also bland.<br /><br />Overall, if I were a parent I would not take my kids who are into potty humor, cause there's plenty of it and more. Save your $7.00 and see something else. As the late great Dr. Seuss once said,<br /><br />It is fun to have fun, But you have to know how. Really, Universal, stop! Theodore's already turning over in his grave.<br /><br />Like my Mom always says, \"Curiousity killed the Cat\".- The Cat In The Hat * out of *****" ]

[ "Adrianne, should really get a life-without Mr. \"Brady\". She nauseates me, and has been one of the main reasons why I know longer tune in to the show. It's pretty brainless show, and every little argument or disagreement seems to be put under the scope and analyzed to death. This makes them look/sound they are anything but ready for marriage, and yet, I know these disagreements are all part of life. I guess to some people this is entertainment. If this happens to fall into next season I will feel sorry for anyone who has nothing better to do with their life but watch this trash. Though I would not be terribly surprised. can't even stand the commercials for this show anymore! I hope they're getting enough money to constantly embarrass themselves in front of a camera week after week. However, the \"A\" girl has one heck of great butt!" ]

[ "This is a most handsome film. The color photography is beautiful as it shows the lavishness of the Metropolitan Opera House in brilliant color. Other indoor scenes at various mansions, etc are equally brilliant. As for the music, what more can be said other than that Lanza's voice was at its' peak as he sang so many of the worlds' best known and beloved arias. The marvelous Dorothy Kirsten is also a joy as her soprano voice blends with that of Lanza in delightful harmony. Of course, Hollywood took their customary liberties with the life story of Caruso. There is precious little in the story line that relates to actual events. For example, the facts relating to his death are totally fabricated and bear no relationship to the truth. There are some very good web sites that tell the true story of Caruso and contain several pictures of him. These web sites can be located by using any good search engine. There are also several books available concerning his life history. But, the fictional story line does nothing to mar this beautiful film. The voices of Lanza, Kirsten, and the chorus members are the real stars of this movie. Enjoy, I know that I sure did." ]

[ "This is the first film of the Horrorfest I have watched and after Im almost thinking I don't need to see any of the others. I was told its a \"thinking mans horror movie\" and have to say that if this was supposed to make me think I shutter to think what the splatter/gore films in the collection will be like. Don't get me wrong not even the gore in this film is worth sitting through.<br /><br />The plot is very washed out with way too much art for arts sake. The camera effects and music are out of place most of the time and the characters are banal to say the least. Several characters and scenes seem worthless in the end when they start to reveal some of the hooks of \"The Hamiltons\". I figured out who Lenny was about half hour in when I figured out the movie. I was so visually under whelmed and confused by the Lenny reveal that I completely felt ripped off. I expected what I got but they could have gone so much further, in fact all the gore falls completely flat. With movies out there like \"Hostel\" and \"Saw\" you need to come a little better for a film that is \"considered to graphic or too disturbing for general audiences\"." ]

[ "I watched this movie when Joe Bob Briggs hosted Monstervision on TNT. Even he couldn't make this movie enjoyable. The only reason I watched it until the end is because I teach video production and I wanted to make sure my students never made anything this bad ... but it took all my intestinal fortitude to sit through it though. It's like watching your great grandmother flirting with a 15 year old boy ... excruciatingly painful.<br /><br />If you took the actual film, dipped it in paint thinner, then watched it, it would be more entertaining. Seriously.<br /><br />If you see this movie in the bargin bin at S-Mart, back away from it as if it were a rattlesnake." ]

[ "I liked this film very much. The story jumps back and forth quite a bit and is not easy to follow. There is no resolution to the story whatsoever, and you are left to wonder what really happened. Since I like that sort of film I enjoyed this. I especially like the \"dating\" scenes between the boys and I was drawn into their lives. And of course any film with a naked Staphane Rideau will get a couple of extra points. ;-)" ]

[ "I did not like the pretentious and overrated Apocalypse Now. Probably my favorite Vietnam War film is The Deer Hunter. The Deer Hunter focused on one part of the war, and then focused on the lives before the war. This movie is essentially Deer Hunter 2. The script is too loose compared to the Deer Hunter. The story is never developed to the point that the audience can truly understand and feel for the characters like the Deerhunter did. The Vietnam flashbacks are not as gripping or involved as the ones in the Deerhunter. This is why I can only give this movie 7 out of 10.<br /><br />However, I think that the acting was outstanding. DeNiro and Harris are truly amazing actors. They totally immersed themselves in their characters and expressed the great anguish of two former friends who lost their best friend Bobby in combat. Harris' character is a half-dead alcoholic, who hides the guilt that he has in Bobby losing his life trying to save his.<br /><br />I also like the supporting cast. Everyone in the town is part of the movie. The town obviously can't handle Vietnam vets very well. Like many small towns, it is all about being quiet, humble, and minding one's business. Harris' character, however, can't be any of these things. It is interesting how wars effect people. Some people rebound quickly, while others never really recover." ]

[ "The Lack of content in this movie amazed me the most. First i though that people was going to compare this to Rock On! but i'm really surprised myself to say that this was worst than Rock On! So-so story Horrible cast Ajay Devgan Jamming with Salman Khan and Asin you gotta be kidding me. The music was Okay Khanabadosh was the track of the movie the rest was bad! Vipul Shah hasn't still learn from Singh is King's critically bashed comedy. Now Asin.. where do she come from sorry for Asin's fan out there but she suck*d big time in this movie seriously bad acting she didn't look good at all overdose of make-up! My final verdict go watch Aladin with your family instead wasting your time here." ]

[ "I had been looking forward to seeing Dreamgirls for quite a while...what with all it's raving reviews, nominations and media attention. And I must say, the first quarter of the movie was good! It really portrayed the black music scene back then. However, as the movie wore on, me and my whole family were bored out of our wits. The singing just kept coming, one after the other. I mean seriously, just one more music number and it would have broke even with RENT.<br /><br />Furthermore, I noticed hardly any character development in any of the characters; I just didn't care what happened to them! Even when Eddie Murphy's character died of a drug overdose, I knew I should have been sad, but I just couldn't feel any emotion for that character. The characters were given a flimsy background about singing in their childhood and whatnot, but there personalities were not revealed enough to draw me in.<br /><br />Finally, the conflict was simply not significant enough to make the viewer care, which goes along with the lack of character development. This movie reminded me of a copy-cat movie based on Ray, Chicago, and Rent (Ray and Chicago were wonderful movies in my opinion). Overall I think this movie would best suit someone who doesn't really care about an overall story, yet would enjoy two hours of entertaining and fun singing performances." ]

[ "WARNING! SMALL PLOT DETAILS REVEALED!<br /><br />I can find virtually nothing positive to say about this film. It is written so badly that every character is a caricature, yet it seems to take itself seriously. It is poorly cast, especially Ralph Macchio (all baby-faced, 5-foot-nothing of him) as a streetwise tough. Plot elements are all drawn in black and white, with every situation almost immediately escalating to some extreme climax.<br /><br />Most egregious of all (PLOT ELEMENT ABOUT TO BE REVEALED) it has perhaps the most gratuitous and contrived nude scene in the history of semi-serious film. One can just imagine the filmmakers saying, \"We need JoBeth to shed her top...hmmm...I've got it!...early in the film, let's give Nick some ridiculous dialogue about baring yourself in the hallways...then JoBeth can use that line on him later and REALLY bare herself in the hallway...yeah, that's the ticket!\"<br /><br />I will give the producers credit for tackling a weighty subject in 1984, one that proved all too weighty in the late 90's with events like Columbine. However, the execution is dreadful. This film could have been a dark comedy in the vein of \"Heathers\", a campy political statement like \"Network\" or a serious examination like \"Brubaker\". Instead, it tries to be all of these things -- and ends up being none of these things. \"Teachers\" get an F." ]

[ "If you want to be cynical and pedantic you could point out that the opening where a RAF Lancaster bomber is mortally wounded on the 2nd of May 1945 is somewhat unlikely since German air defences were as lively as Adolph Hitler on that day but this isn't a movie that should be viewed by a cynical audience and I guess a character being killed in literally the last hours of the war adds to the poignancy . In fact you'd have to have survived the second world war to fully appreciate the intellect , beauty and soul of Powell and Pressburger's masterpiece . The scenes of heaven are painfully twee when viewed today ? Again you have to view the movie of the context when it was made . RAF bomber command lost 58,000 men during the war , the same number that America lost in 'Nam but during a shorter period and a far , far smaller pool of active combatants , there's no atheists in a fox hole and I doubt if you'd lost a relative during the conflict you'd view material atheism as being a sensible thing . When Richar Attenborough's young pilot looks down in awe at the sight below him many war heroes must have openly wept at this scene as they remembered much missed comrades who didn't survive the war . Also bare in mind that despite losing several million people from 1939-45 there seems to be very few people from Germany passing through the pearly gates . it's obvious Nazis don't go to heaven <br /><br />The plot itself where dashing young pilot Peter Carter arguing for his life in front of a celestial court wouldn't have had much appeal to me if it wasn't for the subtext , you see A MATTER OR LIFE AND DEATH is a highly political and visionary film that laments the end of the British empire as it's replaced by American ambitions . There's little things that show up the film as being made by people aware of American history and culture . One is the ethnic mix of America , even today many Britons think that the USA is overwhelmingly composed of White Anglo Saxon Protestants when in fact only 51% of Americans are \" White European \" . The film rightly contains a scene where a multitude of different races confess \" I am an American \" as Peter is judged by Abraham Farlan , an Anglophobe who was the first revolutionary killed by British forces in The American War Of Independence . As for the \" special relationship \" between Britain and America - What special relationship ? Powell and Pressburger know their history when it comes to Britain and America . They obviously know their future too <br /><br />So remember to watch this movie with some of your mind in the past and some of your mind in the present . It's strange , beautiful , poignant and clever but most of all it's a film that would never ever work if it were made in the last 40 years . Can you imagine if the story was set in 2003 and revolved around a British soldier killed in Iraq ?" ]

[ "Vivah is by no means a classic. However in the days of hardcore action, path-breaking special effects & complex plots (none of which Bollywood has mastered yet), its quite refreshing to see a simple film like Vivah. The story as we all know is a journey from a couple's first meeting to their eventual wedding after some coy moments and testing times. Nothing more, nothing less. The music isn't quite in the same league as MPK or HAHK but doesn't jar your senses either. Two songs stood out for me - Mujhe Haq Hai & Do Anjaane. While Milan abhi aadha & Hamaari shaadi were hummable. Shahid performs sincerely & shows a lot of potential. Its good to see him play something else but the \"cool dude\" he normally does. Amrita is very sweet and plays the role of a docile small-town girl to perfection. Alok Nath, Anupam Kher & Seema Biswas are terrific supports and the rest of the cast does a reasonable job. Suraj's direction is simple but effective. The movie's prime flaw is the slow pace which might test the patience of a lot of young viewers. But all in all a good, clean, decent family movie." ]

[ "This is not as funny and gory as the DVD box claims. I really love twisted and wierd movies, but this one is really just dull! It's one hour of ripped off penises, flying Baby Born dolls and a lot of rape! I think the intention with this amateur sleaze, was to make a It's-so-bad-it's-good movies, but it fails. It's just bad! A few scenes are ok, but in whole it's a mess. If you like amateur splatter like this one (Only way better) I would recommend Andreas Schnass' Violent Shit 2 and 3." ]

[ "Why Hollywood feels the need to remake movies that were so brilliant their prime (The Texas Chainsaw Massacre, The Hills Have Eyes) but is it considerably worse why Hollywood feels the need to remake those horror films that weren't brilliant to start with (Prom Night, The Amityville Horror) Much like their originals these remakes fail in creating atmosphere, character or any genuine scares at all. Prom night is so flat and uninteresting its hard to watch, but for all the wrong reasons.<br /><br />It's a poorly acted, massively uninteresting and ultimately dull excursion that fails at everything its designed to do. It's clear Hollywood Horror is dead. Even The likes of The Hills Have Eyes and The Texas Chainsaw Massacre managed to ruin their franchises in style with buckets of blood and a decent plot. Prom night is virtually bloodless and I'm not even going to mention how bad the plot is. Its inability to seal the killers identify makes this the least suspenseful horror movie since erm... the original.<br /><br />One of the most notorious slasher films of the 1980s returns to terrorize filmgoers with this remake that proves just how horrifying high school dances can truly be. Donna Keppel (Brittany Snow) has survived a terrible tragedy, but now the time has come to leave the past behind and celebrate her senior prom in style.<br /><br />When the big night finally arrives, Donna and her best friends prepare to enjoy their last big high-school blowout by living it up and partying till dawn. But while Donna is willing to look past her nightmares and into a brighter future, the man she thought she had escaped forever has returned for one last dance. An obsessed killer is on the loose, and he'll slay anyone who attempts to prevent him from reaching his one and only Donna.<br /><br />Who will survive to see graduation day, and what will Donna do when she's forced to confront her greatest fear? Scott Porter, Jessica Stroup, and Dana Davis co-star in the slasher remake that will have tuxedo-clad teens everywhere nervously looking over their shoulders as they file out onto the dance floor. A plot that will probably put you off going to see this. Witch if you ask me is a good thing.<br /><br />Without much to work with, McCormick gamely tries to milk tension out of the most banal of situations. At one point, a girl backs into a floor lamp (a lamp!) and McCormick tries to pump it up into a jump-scare moment. Desperate times really do call for desperate measures. There haven't been this many shots of closets since the last IKEA catalogue.<br /><br />In the era of The Hills, My Super Sweet 16 and To Catch a Predator, there probably is a freaky, scary movie to be mined from the commoditisation of glamour and society's creepy obsession with youthful beauty. This is not that movie.<br /><br />My final verdict? Avoid at all cost. Nobody will like Prom Night, it's even a disappointment to thoses who usually enjoy hack-job remakes. Considering its absolute lack of blood or frights. A night you'll be in a hurry to forget." ]

[ "Vanilla Sky is a 2001 remake of the 1997 movie Abre Los Ojos (Open Your Eyes). And in my opinion, a much more human and emotional version. Tom Cruise plays David Aames, a selfish egomaniac who takes other people's emotions for granted, and thinks only of himself. Jason Lee plays Brian Shelby, David's best, and in many ways, only friend. Penelope Cruz plays Sofia Serrano, Brian's girlfriend whom accompanies him to David's birthday party. Cameron Diaz plays Julie Gianni, David's occasional bed buddy. Kurt Russell plays Dr. Curtis McCabe, a psychologist interviewing David. All of their interactions, and the consequences of them, make Vanilla Sky one of the most emotional, and complex thrillers ever made. I won't explain anymore of the plot, because it's far more compelling, the less you know. Ignore all people that call this film too confusing to follow. If you pay attention, you won't be confused. The film is very complex, but not confusing. And in my opinion, one of the best movies ever made." ]

[ "This movie is a very poor attempt to make money using a classical theme. I used to love Superman movies, but this one made me want to shoot myself. Very poor acting, outrageous special effects, and a plot equal to zero. To summarize : Superman leaves earth, because scientists discovered pieces of his home planet, some were in space (duh) , doesn't tell his girlfriend anything before leaving (duh again), takes off in a spaceship (?!?),comes back i think 5 years later, and look forward to hooking up with his girlfriend again (who is now razing his son, which son, in my humble opinion is at least 7 years old). And what about that Lex Luthor ? Trying to grow a new continent in order to sell land ? Please !!<br /><br />I vote 1 out of 10 for this movie, only because i am not allowed to vote 0. If you have anything else to do with your time, don't go to see this movie, and even if you don't have anything else to do, stay home and watch TV !" ]

[ "Overlong drama that isn't capable of making any real point. So she became an actress - so what? She learned to love - big deal. There is a certain eccentricity among the characters and in the dialog and situations, but the kind which is bad for the movie, causing it to often seem absurd.<br /><br />Summer Phoenix, playing the lead, talks and behaves like a semi-retarded person, so there is no choice but to watch the movie as about a retarded girl that makes it in the world of theater - which was clearly not the intended point. We are told early on (in that \"Barry Lyndon\"-like narration) that she learned to hide her emotions, which certainly explains her autistic stone-face, but the movie suffers for it. She basically walks around like a zombie, and her success as an actress isn't quite credible given her lack of emotions. Occasionally, the movie had that dull, sleepy feel of a Dogma 95 movie. Is it one? I wouldn't be at all surprised.<br /><br />Summer Phoenix is sister of Joaquim Phoenix and the late River Phoenix. Nepotism rarely works.<br /><br />If you'd like to see my Hollywood Nepotism List, with over 350 pictures/entries, contact me by e-mail." ]

[ "I wasn't really hoping for much when I went to see this. After Mst3king the heck out of JasonX with some friends though, I was hoping for a similar experience here.<br /><br />Unfortunately the movie took itself way too seriously. Do I care about Jason's problems? I'm sorry no. There are a legion Ft13th movies that cover that anyway. At at then end of the day, he's an undead serial killer, I'm just not going to get that sympathetic.<br /><br />Freddy was by far the most interesting aspect of the movie with the hallucinations and what not, but unfortunately they were few and far between and by the end of the movie, it had degenerated into a bad episode of celebrity deathmatch...only not funny.<br /><br />" ]

[ "Wilson (Erica Gavin) is nabbed by the cops and sent to prison in this slick and amusing example of prime 70's exploitation, marking the directing debut of Jonathan Demme. After writing and producing a few of mentor Roger Cormans' New World films, Demme was afforded the opportunity to direct for the first time, and he delivers a movie that not only delivers the expected and tasty doses of nudity and violence, but has an appealing tongue-in-cheek quality to it as well; it's often as funny as it is flashy.<br /><br />Standout scenes include a lewd and crude vaudeville style act performed for the prisoners, as well as a potent dream / fantasy sequence for uptight and obviously very repressed Superintendent McQueen (horror icon Barbara Steele, doing a marvelous turn in this antagonistic role). I also enjoyed a bank robbery scene gone haywire and a carjacking scene that was simply uproarious. As in other movies of this kind, it's also commendable that it's as much a portrait of female empowerment as it is pure exploitation. These women are tough, they take no garbage from anybody, and they're more than capable of handling themselves.<br /><br />Our attractive cast here makes the most of their roles: Juanita Brown as the aggressive Maggie, Roberta Collins as the sassy Belle, Rainbeaux Smith as the cute and timid Lavelle, Gavin as the wide-eyed newcomer, and Lynda Gold (a.k.a. Crystin Sinclaire) in a bright appearance as an accomplice on the outside.<br /><br />As our climax plays out, Demme comes up with a tense \"beat the clock\" finish as our heroines race to save Belle from being lobotomized by predatory Dr. Randolph (Warren Miller), the type of man who thinks nothing of taking advantage of women.<br /><br />Bouncing along to John Cales' flavorful score, \"Caged Heat\" is upbeat entertainment and a guaranteed good time.<br /><br />8/10" ]

[ "I can't understand what it is that fans of the genre didn't like about this film. It was truly a lot of fun. The special effects were wonderful. I generally agree with reviews and with IMDB voters, but not this time. I waited until it came to home video which I felt was another reason that I wouldn't enjoy the film. I believe special effects films need to be seen on the big screen, but again this was not the case. To me the film begs comparison to two films that were released around the same time. Blair Witch and The Mummy. Both films that I thought were terrible. Blair was probably the most overrated horror film of all time. The Mummy made gobs of money and it was pure dreck. People liked it for it's special effects. Films like the Mummy and The Haunting are not rich in character development, they are more like funhouse rides. Well with that analogy the Mummy was a B ticket to the Haunting's E-ticket." ]

[ "I found the characters mediocre and the story uninteresting. I never had to read this book (thankfully), or it would have been a painful experience. I got the tickets to the preview for free but it still wasn't worth my time, or my friend's. I think this story is not worth telling. It's like saying that old people have a past before they got old (no kidding). The lives of the main characters were painful to watch, one generation no better than the next at avoiding stupid mistakes. However, I think the actors did the best they could with a lame story. I've always been a big fan of Ellen Burstyn. I'm writing this review to counteract the positive reviews given, which unfortunately convinced me to give this movie a try." ]

[ "This film is justly famous as one of the most horrible examples of propaganda ever produced. The insistent equation of Jews with disease is simply<br /><br />pathological, and even worse it almost becomes believable for brief seconds<br /><br />through its sheer repetition. The fact that something this crude works, even<br /><br />briefly, is an object lesson in itself. You have to have a strong stomach and a firm grip on yourself to sit through this, and I wouldn't recommend trying unless you have a good reason." ]

[ "Tenchu aka. Hitokiri- directed by Hideo Gosha - starring Shintaro Katsu and Tetsuya NAkadei belongs (together with Goyokin, HAra Kiri & Rebellion) to the best chambara movies existing.<br /><br />Its the story about Shintaro Katsu (who plays Okada Izo) working for Nakadei, who wants to become the daymio. Okada, being the \"cleaner\" for Nakadei is being treated like a dog - and after quite a while he realises - what he realy is to Nakadei.<br /><br />But there is so much more in this movie - every fan of japanese cinema should have seen it !!!!!!!<br /><br />(Tenchu means Heavens Punishment)" ]

[ "Keenan Ivory Wayans is probably one of the worst directors, i swear he has no real knowledge on how to make films. he has made one brilliant film and that is scary movie. scary movie 2 was OK too but everything else Keenan has made are real disasters. avoid such titles like don't be a menace to south central while drinking your juice in the hood..... i know, what a title !!! obviously this film too, just anything that has Keenans name in the credits.<br /><br />it was an hour and a half on stupid nonsense that never made me laugh. just trust me on this, maybe women might like this film a little because of some of things that happen but on a whole this film will never be liked by anyone with a good taste in films........ 1/10.......j.d Seaton" ]

[ "This 1997 film-blanc classic tale of smoldering passion has achieved its well-deserved legendary status as one of the screen's greatest sagas of a doomed and hopeless love. The pervasive, ongoing and progressive magnetism between Judge Reinhold and what's-her-name is sure to set many a viewer's heart a-flutter with memories of one's own first crush. The brilliant screenplay dangles this embryonic affair-to-be in front of the enraptured audience, sitting transfixed as the abstract, almost-expressionist cinematography deep-focuses on the just-under-the-surface desires that ebb and flow between the principals. You can cut the sexual tension with a dull tire iron. <br /><br />A tiny drop of perspiration on the end of a nose catches the bright sunshine, and leaves no doubt as to its significance. Scenes like this abound and bear watching again and again. As with \"Jane Eyre\" and \"Rebecca\" (to which this masterpiece is so often compared), the closeups of the actors' faces as they experience the slow dawning of the great love-that-is-not-to-be will haunt you forever. <br /><br />The now-classic RC soundtrack score, with its creative and unique use of solo synthesizer, emphasizes the emotion that drips throughout like a leaky crankcase.<br /><br />If I had any criticisms at all by mentioning what I consider a minor flaw (and dared to risk the wrath of the millions of fans who hold this classic so dear to their hearts), I would say that the hallmark of \"Runaway Car\" - its sense of mounting sexual tension - is briefly broken by the highway scene, which now after repeated viewings seems just a bit overlong (and probably even unnecessary?) to the eternal, bittersweet tale of Love Interrupted.<br /><br />Dare I advance what I perceive as the tiniest of flaws in this critically-acclaimed triumph of modern cinema? 'Citizen Kane' had its 'Rosebud' . . . 'Runaway Car' should have its catchword as well. Perhaps the film could have opened with an extreme closeup of Judge Reinhold saying something such as \"A car is an extension of its owner!\", and the rest of the storyline could then be dedicated to parsing every syllable, subtlety and nuance of that phrase. Had that plot line been done, this film could have topped \"Titanic\" at the Golden Globes that year, I'm convinced.<br /><br />My one regret? That I didn't read the novel first." ]

[ "I saw \"A Page of Madness\" in a silent film course at Wesleyan University and it haunts me still after 25 years. Truly ahead of its time - perhaps even still - this gem of a film reveals both the frightening and attractive aspects of madness." ]

[ "Now, i hired this movie because Brad Dourif was in it. He is an excellent actor, BRILLIANT in everything...except this movie. And i think that was only because he realized how stupid this movie was, and didn't bother with a good performance. This movie is a unintentional-comedy. Some of the lines just crack me up. And them there are some lines that make no sense, and it seems like Tobe Hooper just throw lines in without thinking about the plot. Oh! BTW the plot is BAD! But it one of those films that is TAHT BAD that its actually PAINFUL to watch. I recommend this only for BIG Brad Dourif fans, or fans of any of the other actors, because the plot is pathetic." ]

[ "Emilio Miraglia's first Giallo feature, The Night Evelyn Came Out of the Grave, was a great combination of Giallo and Gothic horror - and this second film is even better! We've got more of the Giallo side of the equation this time around, although Miraglia doesn't lose the Gothic horror stylings that made the earlier film such a delight. Miraglia puts more emphasis on the finer details of the plot this time around, and as a result it's the typical Giallo labyrinth, with characters all over the place and red herrings being thrown in every few minutes. This is a definite bonus for the film, however, as while it can get a little too confusing at times; there's always enough to hold the audience's interest and Miraglia's storytelling has improved since his earlier movie. The plot opens with a scene that sees two young girls fighting, before their grandfather explains to them the legend behind a rather lurid painting in their castle. The legend revolves around a woman called 'The Red Queen' who, legend has it, returns from the grave every hundred years and kills seven people. A few years later, murders begin to occur...<br /><br />Even though he only made two Giallo's, Miraglia does have his own set of tributes. It's obvious that the colour red is important to him, as it features heavily in both films; and he appears to have something against women called 'Evelyn'. He likes castles, Gothic atmospheres and stylish murders too - which is fine by me! Miraglia may be no Argento when it comes to spilling blood, but he certainly knows how to drop an over the top murder into his film; and here we have delights involving a Volkswagen Beetle, and a death on an iron fence that is one of my all time favourite Giallo death scenes. The female side of the cast is excellent with the stunning Barbara Bouchet and Marina Malfatti heading up an eye-pleasing cast of ladies that aren't afraid to take their clothes off! The score courtesy of Bruno Nicolai is catchy, and even though it doesn't feature much of the psychedelic rock heard in The Night Evelyn Came Out of the Grave; it fits the film well. The ending is something of a turn-off, as although Miraglia revs up the Gothic atmosphere, it comes across as being more than a little bit rushed and the identity of the murderer is too obvious. But even so, this is a delightfully entertaining Giallo and one that I highly recommend to fans of the genre!" ]

[ "This comedy is really not funny. It' a romance that plays so much on stereotypes it makes no impact. It's a caper film so derivative -- yes, even back then -- it has no snap.<br /><br />The cast is adequate. More than that it's hard to say. However, what's nice is that the players are unfamiliar. At MGM, this would have starred Robert Montgomery. The wife of a businessman with no time for anything but work could have been any number of actresses.<br /><br />We can be grateful that this little known film is peopled by performers mostly unknown today. And the production values aren't awful. Yet it makes no real impression.<br /><br />It's a generic knockoff. And who wants that?" ]

[ "Of all the movies of the seventies, none captured to truest essence of the good versus evil battle as did the Sentinel. I mean, yes, there were movies like the Exorcist, and other ones; but none of them captured the human element of the protagonist like this one. If you have time, check this one out. You may not be able to get past the dated devices as such, but this is a story worth getting into.Then there are all the stars and soon-to-be stars. My absolute favorites were Eli Wallach, Sylvia Miles, and Burgess Meredith. Then there are the subtle clues that lead to what's going on too. Pay close attention. I had to watch it four times to catch on to all the smaller weird statements like 'black and white cat, black and white cake'. Plus, the books are really good as well. I'm just sorry that they're not going to turn the second book into a film. It's so scary that it would outdo this movie." ]

[ "This film caught me off guard when it started out in a Cafe located in Arizona and a Richard Grieco,(Rex),\"Dead Easy\",'04, decides to have something to eat and gets all hot and bothered over a very hot, sexy waitress. While Rex steps out of the Cafe, he sees a State Trooper and asks him,\"ARE YOU FAST?\" and then all hell breaks loose in more ways than one. Nancy Allen (Maggie Hewitt),\"Dressed to Kill,\",'80, is a TV reporter and is always looking for a news scoop to broadcast. Maggie winds up in a hot tub and Rex comes a calling on her to tell her he wants a show down, Western style, with the local top cop in town. This is a different film, however, Nancy Allen and Richard Grieco are the only two actors who help this picture TOGETHER!" ]

[ "This is just a bad movie. With what seemed to be quite a nice budget it had potential to be much better. It almost were. With the heroine beautiful almost like Salma Hayek, hero fighting almost like Jackie Chan, battles and duels almost like in Crouching Tiger..., music almost like in, say, Conan... etc. Almost. But in the end it's just dull and it is hard to find anything interesting in it. Maybe apart of John Rhys-Davies flying in duel like those warriors in Hero or before-mentioned Crouching Tiger... I am really ashamed of poor old John. He is after all quite a good actor and deserves much better. So as you - so if you still have a chance just watch something else." ]

[ "Jack Black's character, Tim Dingman the \"Dreamer\" in Envy, finds wealth and success in the idea of a aerosol spray \"Vapoorize\" that when sprayed on doggie dung, makes the poo disappear into thin air. <br /><br />For a moment I was hoping that Vapoorize was a real product so that I could spray it on this \"stinker\" of a movie and make it disappear into thin air as well.<br /><br />Although Envy is not the worst movie that I have seen in the past 12 months (that honor goes to The Cat in the Hat), it does get the honor of a close second.<br /><br />Not funny, not sad, not anything. A real \"Stinkeroo\"!!!!!<br /><br />A 0.2 out of 10!!" ]

[ "What can i say about the first film ever?<br /><br />You can't rate this, because it's not supposed to be entertaining. But if you HAVE to rate it, you should give it a 10. It is stunning to see moving images from the year 1895. This was one of the most important movies in history. I wonder how it was to be one of the people who saw the first movie ever!<br /><br />" ]

[ "The Slackers as titled in this movie are three college friends Dave, Jeff and Sam(Devon Sawa, Michael Maronna and Jason Segel respectively), who are about to graduate from university without sitting through an honest exam but making it end successfully. This continues until the very end when unlikeable but the most likable character of the movie Nathan(Schwartzman) figures out what they are up to. Nathan starts blackmailing in order to make up with his dream girl as he cant pursue that in normal conditions. The only problem is when the trio starts to work on it, Dave falls in love with the gorgeous and good hearted Angela(James King) Unfortunately, not a brilliant genre movie. Schwartzman makes to watch the movie easy as his performance is brilliant. King's performance is average, I think she was hired just to be around with her gorgeous look. The Slackers is reminiscent of American Pie with a different direction. Jokes are as shallow as in American Pie. But aren't they all used? I think this movie is a warning to the filmmakers of the genre that they are running out of originality. Overall, a few smiley moments but a horrible movie in terms of acting(except for Schwartzman) and subject. * out of *****" ]

[ "Generally I like something light and fun, so this film shouldn't have appealed to me. But it grabbed me from the start. The story of a family's choices and challenges seem obvious, but it raises the question over and over: \"What if it was my family? My choice?\" I cried and laughed when they did because I really felt what the people involved felt. It was in places difficult to watch, but more difficult to turn away. The story is true, and life is sometimes difficult to watch! It shows what film-makers can do without sex, violence, or special effects: a good story is a good story all by itself. The best and most unpredictable stories are all true ones. Like real life, you really don't know what'll happen next, or why people do the things that they do!" ]

[ "This low-budget erotic thriller that has some good points, but a lot more bad one. The plot revolves around a female lawyer trying to clear her lover who is accused of murdering his wife. Being a soft-core film, that entails her going undercover at a strip club and having sex with possible suspects. As plots go for this type of genre, not to bad. The script is okay, and the story makes enough sense for someone up at 2 AM watching this not to notice too many plot holes. But everything else in the film seems cheap. The lead actors aren't that bad, but pretty much all the supporting ones are unbelievably bad (one girl seems like she is drunk and/or high). The cinematography is badly lit, with everything looking grainy and ugly. The sound is so terrible that you can barely hear what people are saying. The worst thing in this movie is the reason you're watching it-the sex. The reason people watch these things is for hot sex scenes featuring really hot girls in Red Shoe Diary situations. The sex scenes aren't hot they're sleazy, shot in that porno style where everything is just a master shot of two people going at it. The woman also look like they are refuges from a porn shoot. I'm not trying to be rude or mean here, but they all have that breast implants and a burned out/weathered look. Even the title, \"Deviant Obsession\", sounds like a Hardcore flick. Not that I don't have anything against porn - in fact I love it. But I want my soft-core and my hard-core separate. What ever happened to actresses like Shannon Tweed, Jacqueline Lovell, Shannon Whirry and Kim Dawson? Women that could act and who would totally arouse you? And what happened to B erotic thrillers like Body Chemistry, Nighteyes and even Stripped to Kill. Sure, none of these where masterpieces, but at least they felt like movies. Plus, they were pushing the envelope, going beyond Hollywood's relatively prude stance on sex, sexual obsessions and perversions. Now they just make hard-core films without the hard-core sex." ]

[ "What an appalling film. Don't get me wrong, Gene Hackman and Denzel Washington are good actors, but aside from a few interesting set pieces, the film is mostly taken up with hysterical submariners shouting, crying, sweating and generally freaking out when anything goes wrong.<br /><br />Take that with simplistic asides to make sure the audience still understand what's going on (the scene where Denzel Washington explains to a radio repairman how he must be like Scotty in Star Trek is nothing more than a joke) and you have a dumbed down thriller not worthy of the acting.<br /><br />Let us just hope that the real nuclear US Navy is not in the hands of such a script!<br /><br />" ]

[ "This is one excellent Sammo Hung movie. Actually, this is a great piece of Hong Kong action cinema. The story tells the story of pedicab drivers in Macao looking for love and getting mixed up w/ a vicious pimp. The performances are excellent and the characters are all likable and well-defined. The story is involving and has enough romance, drama, comedy, and suspense to keep one watching between fight scenes. Sammo Hung proves here that he's probably the best fight choreographer in the business. The action is simply amazing, esp. the fight w/ Lau Kar Leung and the finale. Billy Chow and Sammo Hung are amazing. A must see for any fan of action." ]

[ "This movie deserved better It's great fun, has some wonderful jokes and sight gags, some in-stuff for the \"Geeks\" amongst us (And we know who we are), and the effects are indeed effectual. Watching Paul Reubens fart in the face of an Academy Award winner is worth the price of admission alone. I never read the comics series before I saw the movie, but have since. as good as they are, I still recommend MM the film. (Although having the Flaming Carrot as a character would have been cool, too) Greg Kinnear is, well,...amazing as Captain Amazing, and NO ONE ELSE could be The Shoveller except William H. Macy My favorite line in the film? \"We've got a blind date with Destiny. And it looks like she's ordered the lobster.\" See this film. BUY this film! It's only 5 bucks and some change at your local Wal-Mart. You'll thank me. Really you will. Oh, and Ms. Garafolo is in it. THAT ALONE makes it watch-worthy" ]

[ "Kusturika made it again. Another masterpiece. A coral comedy full of his own landmarks, with a frenetic rhythm and many glorious moments, we laughed and laughed, what a party! The music is everywhere, and also the shooting, the animals, the crazy bastards, sex and amazing gadgets and inventions, everything colorfully visual to entertain only. Pure cinema in essence. A wonderful experience to watch. And one is specially grateful since good comedies are so rare, and so wonderful. Well, this is one, and if you enjoyed Kusturica's previous films, you'll love this, although, as in all comedies, it is about a chemical reaction, and you have to be in the mood for it." ]

[ "This is a typical \"perfect crime\" thriller. A perfect crime is executed and the investigating police officer, ignoring all the clues, immediately knows who guilty is. The audience has to wait around the whole movie for the guilty to be caught. The result is like every single episode of \"Columbo\" or \"murder she wrote\". The director himself refers to the hackney story by showing the police officer watching an episode of Matlock! This story barely fills up 90 minutes but the director insists on using all 120 minutes filling with every cliche in the book. Skip this one, you are not missing anything." ]

[ "I have seen all the films directed by Robert Redford and appreciated his love of the American people and the land. In A River Runs Through It, Redford displays the lyric romanticism and visual splendor of the high Rocky Mountains of Montana as if he were a 19th century landscape painter of the ilk of Thomas Moran or Albert Bierstadt. This film makes love to the visual and the word with text by author Norman Maclean, and stunning camera work by Phillippe Rousselot (Serpent's Kiss, Reigne Margot).<br /><br />Redford's cast is perfect. Tom Skerritt is the Rev. MacLean, a man whose methods of education include fly fishing as well as the Bible, Brenda Blythen, the mother, and his sons, Craig Schaffer and Brad Pitt create a family whose interactions reflect the same problems all encounter with growing teenage sons, and later, complex young men. Both Schaffer and Pitt are totally believable as the brothers whose love of fly fishing and each other will tie them together forever. It is the relationships between men, father and sons, brothers, and their women to the outside world that grounds A River Runs Through It to a vein of storytelling that is missing in so many of Hollywood films produced in recent years.<br /><br />What makes these relationships special however, is the attention Redford gives to the language as spoken in dialogue. This is a literate script, beautiful to hear and unforgettable when coupled with the stunning Montana rivers and mountains. The words and setting are equal to performances by a cast that rises to their material. While the idea of fly fishing may seem an odd device to center a story, it is not so implausible in Redford's directorial hands. Given the material, Redford's ode to a simpler time and life is worth revisiting again and again." ]

[ "The only notable thing about this film is that it was Steve McQueen's first big starring role.<br /><br />McQueen's talent is undeveloped and raw but refreshingly honest in this campy little sci-fi horror piece. Steve shows himself as the anti-establishment, hot rod car loving actor who would become a polished icon of the film industry just five years hence.<br /><br />Later on, McQueen would say he hated this film and that \"he was the blob\". But everyone has to start somewhere and The Blob is cute, fresh and innocent. Would that we all had stayed that way.<br /><br />The plot is fast paced and although predictable, still an entertaining hour or so. And it's really fun to see Steve McQueen before he became The King of Kool (and Anita Corsaut before she became Andy Taylor's girlfriend). A close friend sent me the DVD a while back and it's a treasured addition to my Steve McQueen film collection." ]

[ "Okay, the story makes no sense, the characters lack any dimensionally, the best dialogue is ad-libs about the low quality of movie, the cinematography is dismal, and only editing saves a bit of the muddle, but Sam\" Peckinpah directed the film. Somehow, his direction is not enough. For those who appreciate Peckinpah and his great work, this movie is a disappointment. Even a great cast cannot redeem the time the viewer wastes with this minimal effort.<br /><br />The proper response to the movie is the contempt that the director San Peckinpah, James Caan, Robert Duvall, Burt Young, Bo Hopkins, Arthur Hill, and even Gig Young bring to their work. Watch the great Peckinpah films. Skip this mess." ]

[ "In this first episode of Friends, we are introduced to the 6 main characters of the series: Monica Geller,Phoebe Buffay,Chandler Bing,Ross Geller, Joey Tribbiani and eventually Rachel Green .<br /><br />We discover that Rachel, a rich girl that is Monica's friend from high school times, left her fiancé, Barry, at the altar, since she discovered she didn't love him. She also decides to live with Monica and become independent from her father,getting a new job as a waitress in Central Perk.<br /><br />Ross, for the other hand,discovered his wife is a lesbian and lost her for Susan, her partner. (We see him moving to a new apartment during the episode)<br /><br />Monica, in this episode, makes out (and eventually sleeps) with Paul \"the wine guy\", who gave her the excuse of being impotent since he divorced his wife. But in reality, he was just deceiving her.<br /><br />Ps: I just loooove Joey's and Chandler's haircuts in this first season! =)" ]

[ "Previous comment made me write this. It says that Muslims are blonde and Serbs are dark (because our blood is mixed). This comment just says that this opinion can be made by racist.Look,race is nothing.I'm color blind.I look like Pierce Brosnan but I'm no Irish. So what?I might add that I am not 100% Serb,that I have some Austrian and Croat blood within me but whats the point.I'm dark, half-breed?Is that so? Anyone using racial prejudices with such bad intent like Lantos(producer9and director is racist for me.Karadzhic, Izetbegovich, Milosevic, Tudjman they are all monsters and I blame them for destroying my life, my family, my country, Yuggoslavia. Hope they will be all in hell but that wont return our dead relatives back. I am proud of being Serb and I am proud of my cousins, Austrians,Croats,Muslims, Hungarians, Arabs (yes I am from Serbia and I have multiethnical family).This movie doesn't show sufferings of Serbs or Croats within Sarayevo,terrible terrorism of street gangs,Muslim extremism.I add: I kneel and pray for all innocent sisters and brothers Muslim,catholic or orthodox, killed in this war.This film is manipulation with our misery,false humanitarianism's which doesn't help at all.It helps Lantos to fill his pockets with more doe,alright!" ]

[ "I really enjoyed this movie. Britney is an excellent role model for teens and should be more appreciated. This movie is about following your dreams and never giving up no matter what people might do or say to discourage and criticize you. Holly fulfills her dreams just like Britney. <br /><br />There are times in everyones' lives when people judge them for what they are not who they are. Watching this movie will make you understand that you are special in your own way and that you should follow your dreams no matter what happens. <br /><br />I would like to thank Britney for encouraging me and my friends to follow our dreams. She will never know how much that means to me. Bravo Britney. You are the greatest!!!" ]

[ "I remember seeing this film years ago on, I think, BBC2. I would very much like to view it again - does anyone know how I can obtain a copy? As I remember, it was an especially powerful movie, in particular the scene that stands out is of the horses wearing gas masks. Apart from that I really can't recall too much about the story - which is why I want to view it again! I have trawled the web but am unable to find a copy, which is unusual in my experience - perhaps there is no DVD or VHS of this film on the market. Would appreciate any help anyone can give me on this. Thanks very much in advance for your assistance. Best regards, [email protected]" ]

[ "1939 is universally accepted as the greatest year in Hollywood history, with more classic films released than in any other, and John Ford directed three of the best, \"Stagecoach\", \"Drums Along the Mohawk\", and this beautiful homage to frontier days and a young backwoods lawyer destined to eventually save the Union, \"Young Mr. Lincoln\".<br /><br />With the world plunging into a war that America dreaded, but knew it would be drawn into, Abraham Lincoln was much on people's minds, in 1939, as someone who had faced the same dilemma in his own life, and had triumphed. On Broadway, Robert E. Sherwood's award-winning \"Abe Lincoln in Illinois\", with Raymond Massey's physically dead-on portrayal, was playing to packed houses (it would be filmed in 1940). Carl Sandburg's continuation of his epic biography, \"Abraham Lincoln: The War Years\", was published, and quickly became a best seller. President Roosevelt frequently referred to Lincoln in speeches, and the Lincoln Memorial, in Washington, D.C., became the most popular landmark in town (a fact that Frank Capra made good use of, in \"Mr. Smith Goes to Washington\").<br /><br />All this was not lost on Darryl F. Zanuck, at 20th Century Fox; as soon as he read Lamar Trotti's screenplay of Lincoln's early days as a lawyer, he designated it a 'prestige' production, and assigned John Ford to direct, and Henry Fonda, to star.<br /><br />Fonda did NOT want to play Lincoln; he felt he couldn't do justice to the 'Great Emancipator', and feared a bad performance would damage his career. Even a filmed make-up test, in which he was stunned by how much he would resemble Lincoln, wouldn't change his mind. According to Fonda, John Ford, whom he'd never worked with, cussed him out royally, at their first meeting, and explained he wasn't portraying the Lincoln of Legend, but a young \"jackanape\" country lawyer facing his first murder trial. Humbled, Fonda took the role. (John Ford offered a different scenario of the events, but the outcome was the same!) Obviously, they found a chemistry together that worked, as nearly all of their pairings would produce 'classics'.<br /><br />Unlike the introverted, melancholia-racked Lincoln of \"Abe Lincoln in Illinois\", Ford's vision was that of a shy but likable young attorney, who made friends easily, and misses the mother he lost, too young (resulting in a bond with a pioneer mother that becomes a vital part of the story). Injustice riles him, and he speaks 'common sense' to quell violence, interlaced with doses of humor. Both productions play on Lincoln's (undocumented) relationship with Ann Rutledge; in Ford's version, the pair are truly in love, and committed to each other. After her death, Lincoln would frequently visit her grave, to share his life with her 'spirit' (a theme Ford would continue in \"She Wore a Yellow Ribbon\").<br /><br />A murder trial is the centerpiece of the film, and shows the prodigious talents of the star and director. Fonda deftly portrays Lincoln's inexperience, yet earnest belief in justice tempered with mercy, and Ford emphasizes the gulf between the big-city 'intellectuals' (represented by pompous D.A. Donald Meek, and his slick 'advisor', Stephen Douglas, played by a young Milburn Stone), and the informal, rule-bending country sense of Lincoln. With Ford 'regular' Ward Bond as a key witness, the trial is both unconventional, and riveting.<br /><br />With the film closing as Lincoln strides away into the stormy distance, and his destiny (dissolving into a view of the statue at the Lincoln Memorial), audiences could take comfort in the film's message that if a cause is just, good would ultimately triumph.<br /><br />\"Young Mr. Lincoln\" is a truly remarkable film, from an amazing year!" ]

[ "Other than some neat special effects, this movie has nothing to offer. They threw in some gore and some nudity to try and make it interesting, but with no success. Kevin Bacon's acting was pretty good, but he couldn't salvage the movies lack of plot." ]

[ "Here's what I knew about \"Atlantis\" before watching it:<br /><br />* - It's officially Disney's first animated sci-fi adventure. I'm not sure how accurate that is (I like to nitpick) but it made me curious first time I heard it described.<br /><br />* - The preview looked, for the most part, damn cool. Evidently, it was also \"too cryptic\" according to some critics after the fact.<br /><br />* - It apparently did SO badly that Disney said, \"Screw it, let's re-release 'Spy Kids'\".<br /><br />So, with all that said, how is the movie?<br /><br />Hella-cool.<br /><br />I'm a sucker for animated fantasy that involves stirring music and rampant special effects anyway, but \"Atlantis\" goes all out. It's a throwback to all the CGI eye-candy shots in \"Beauty and the Beast\" and \"Aladdin\", so much so that it's almost an effects animator's Best-Of Show. The characters maybe aren't that memorable (except, perhaps, for the ship's medical officer), and the plot's a little dull, but this isn't a movie you watch for the plot.<br /><br />Here's a controversy that bothers me. The \"failure\" (as in, it \"only\" took in, like, five-hundred-million or something; I know animators who'd kill to see fifteen bucks of that) of this movie compared to the popularity of \"Shrek\" and \"Monsters Inc.\" has been seen as evidence of the death of traditional animation. I don't think that's true. How do you account for the \"South Park\" movie? What about \"Final Fantasy\"? Really, the story and the artistry is everything, not the method. I don't know what Disney's comeback movie will be like, but I don't think they're out of the picture yet." ]

[ "Oh, well, this movie starts off well. It's kinda funny and seems like it could be a fun movie. Then it becomes a bit serious and goes off the rails. It sort of wants to be 'Boogie Nights' but it can't achieve it. If only it stayed with the tone of the first quarter of the film..." ]

[ "The literary genius of Vladimir Navokov is brought to the screen again and many in the cultured world will take notice. The director puts us in check mate with the story of Alexander, an absentminded chaplinesque study of chess addiction. Nastasya is vacationing in a marble columned resort where a chess championship is being hosted. She meets Alexander by picking up a queen piece he drops thru his coat pocket. A magnetic attraction evolves whereby he proposes the next day, the mother alarmed telegrams the husband. He arrives and questioning Alexander we get these fades to the past, ala' Godfather II, where we see young Alexander, a child prodigy. He is taken under a school teachers wing and exploits his genius for 10 yrs making vast sums. Thinking Alexander reached his peak, abandons him but becomes legend. The old teacher returns causing harm, trying to give victory to an old rival of Alexander. In a serious chess game where World Chess Champion victory is one way to immortality, the chess clock ticks, match time ends to conclude the next day. That day is Nastasya's wedding, the old teacher interferes and Alexander is sent on a nervous breakdown. Nastasya, holding her stomach and looking thru her love's coat finds his strategy for the match and follows the moves. Though the film unfortunately sways from its Russian roots, its low back cut dresses are lovely, Alexander plays his role sublimely.The director underestimated her audience, we hardly ever get to play and the only hint of The Luzhin Defense is after trading queens, isolate the opponents King with your 3 paws & King, sacrificing the castle for mate. Nastasya is a great match, but feel its conclusion deserved more intensity, but maybe the emotions were right on check for chess meant more to him than her. The Luzhin Defense elegantly gives Navokov honor, the complexity of his work in images is a world event not to be missed." ]

[ "This movie deals with one of the most feared geriatric diseases among the aging today. As one who has encountered a number of families who are facing the potential of Alzheimer's or who are in the formative stages, I would suggest that every health care giver recommend this movie to any family facing the trauma of this disease. The movie is designed primarily to speak to the family of the patient and reaches into the very heart of the struggle. Casting is excellent and the dramatic portrayal is outstanding with a very commanding plot line." ]

[ "I just got through watching this DVD at home. We love Westerns, so my husband rented it. He started apologizing to me half way through. The saddles, costumes, accents--everything was off. The part that made me so mad is where the guy didn't shoot the \"collector\" with his bow and arrow as he was taking the fat guy's soul. His only excuse was \"he only had 2 arrows left.\" We watched it all the way through, and, as someone else said...too many bad things to single out any one reason why it sucked. I mean, the fact that the boy happened to snatch the evil stone from the collector on the same month and day it was found, what's the point of that? And why were there a grave yard where everyone died on April 25 but the people whose souls were taken by the collector were still up walking around? If you want a movie to make fun of after a few beers, this may be your movie. However, if you want a real Western, you will hate this movie." ]

[ "***SPOILERS*** ***SPOILERS*** After two so-so outings (\"Magnum Force\" and \"The Enforcer\"), Dirty Harry seems to have regained his stride in \"Sudden Impact,\" a gripping thriller that wisely plays to its strengths: the charisma of Clint Eastwood, who also directed, and a story that spends just enough time on exposition and reserves its energy for the big scenes.<br /><br />For once, the case takes Harry outside his native San Francisco (where he's again in trouble with his superiors for his \"shoot first, ask questions later\" tactics), to the hamlet of San Paulo. There, (WARNING: Potential spoiler) a group of lowlifes is being gruesomely murdered, one at a time, by a woman whom they gang-raped years earlier, and whose sister has been in a state of catatonia ever since the attack.<br /><br />The killer is portrayed by Sondra Locke, and she makes the character of Jennifer Spencer an interesting mix of compassion and cold-bloodedness. Locke's cold eyes and frosty voice, when either trying to comfort her hospitalized sister or dispensing vengeance toward the rapists, are very effective in painting a portrait of a woman wronged whose years of suffering and rage are now beginning to bear deadly fruit.<br /><br />The rapists are a despicable lot, especially the leader, who has \"psycho nutjob\" practically stamped on his forehead, and a lesbian who seems almost one of the guys, despite her anatomical inability to participate. The flashback scenes, while not graphically explicit, are nightmarish enough, and clearly intended to make the audience cheer for Jennifer as she kills her assailants.<br /><br />Some will dismiss \"Sudden Impact\" as trash: a mindless, manipulative revenge tale. On a certain level this is true, but it's well-done trash. What works to the movie's advantage is the strength of the Sondra Locke performance, giving us a complex character whose wounds are more visible in her paintings than in her gestures or speech. What we have here is an action movie with a point of view.<br /><br />You can take or leave the idea that some wrongs deserve to be punished by any means necessary, but as the mystery behind the slayings becomes clear to Harry (a realization that, wisely, is not spelled out with dialogue), he is presented with a choice -- what to do about a killer whose motivations he can sympathize with but whose conduct he is bound by law to not tolerate. This makes the story more interesting than the usual Dirty Harry fare.<br /><br />The movie's other redeeming quality is Eastwood's direction. This is, after all, a Dirty Harry movie, and Eastwood knows the character better than anyone else. The movie is directed with style and wit, and edited to give the action scenes a big payoff. Some of the best \"Harry moments\" in the entire series are here, including Harry's best-known line, \"Go ahead -- make my day.\"<br /><br />\"Sudden Impact\" is a movie that has the courage of its convictions in presenting a tale about a despicable crime and the brutal consequences that follow. It is also a riveting detective story, well made and well told. And it is certainly never dull. On those criteria, it succeeds tremendously." ]

[ "Way back in 1967, a certain director had no idea about a galaxy, far away or near. He was trying to complete a movie with the title THX etc. this short is a remanufactured history of a certain George. i am sorry it has only cuteness to defend it. This is merely an advertising promo for the director, actors, et. al. It has little intrinsic artistic value. It is a brochure. The lead playing George, is very fine, as is the Leia character, and the ersatz Darth character. All else is plain commercial dross. What a waste. Still, it got the job done I guess. The rest of the movie is merely treading water to kill time I guess. a brochure only." ]

[ "I saw this movie with my dad. I must have been pretty young, around 15. It was on Star Movies one afternoon.The movie started a bit vaguely, but you could tell those robbers were gathering up for a score. It really caught pace after the first half hour.<br /><br />All the actors are great, especially Blades and Lou Diamond. I Guess it's the ensemble, they just play so well together. I can watch this film anytime.I think it is the relative stupidity of the plot and the characters trying to deal with a very weird score. The jokes are not corny but they are subtle and extreme at the same time that make them so hilarious.<br /><br />A perfect comedy for a lazy afternoon." ]

[ "Having Just \"Welcomed Home\" my 23 YR old daughter from a year in Iraq, Camp Anaconda medical support unit, I felt compelled to get this DVD. I wanted to hear other returning vets feelings in order to attempt to better understand her mentality on arrival and not waiting until after something bad happened. Regardless on your take on the war and peace this movie serves as a great start for all Americans to begin the healing of our returning vets emotional void. The paramount statement of the entire movie is \"Take Action\" on the problem . Incredibly emotional movie. I would highly recommend this movie to the vet the vets entire mature family and ask that they follow through with a plan to listen comfort help the returning Gulf War Enduring Freedom vets.<br /><br />Fast forward nearly one year later & My daughter has seen this DVD. Took account of her emotions and actually has made a commitment to re-up for another 6 years. Her take on her time spent in the sand is that she did some good. Local Balad children got first rate medical treatment for various common ailments not ordinarily able to afford free with an escort and translator. Her look over her shoulder at her Iraq tour was . \"We changed some hearts and minds back there\" Great DVD you have to keep an open mind and see all sides" ]

[ "This is a trio of tales, \"Shakti\", \"Devi\", and \"Kali\", about an experimental commune (or some such thing) called the Taylor-Eriksson group, which took people on journeys inside themselves and into the realm of the unknown, and left a bit of damage here and there, I'd say. Many years later some of that damage is still lurking and waiting for the right moment to show itself. Shakti tells the tale of a woman whose husband died mysteriously, in fact, he was torn apart, and the suspect was a man that may not have existed. Seems this woman is able to project some inner demon, or so finds out the sister of the man who was killed when she attempts to talk to this woman while posing as a reporter. Devi tells the tale of a young man who wants to \"jump out of his skin\". He's a skinhead, a speed freak, and is sent to see a psychiatrist who just happens to be a former member of this commune, which results in the good doctor helping the young man to realize his desire. This is probably the best of the three segments. Kali tells the tale of a healer, who attempts to \"heal\" this woman who was a part of this commune and lets loose some kind of demon that has lived in this woman, but one wonders if he did it or if SHE loosed it because it could not survive in her any longer. All three of these tales are pretty creepy and suspenseful because you're never really sure what to expect, and the premise and the settings are so unlike those of conventional horror films that it adds to the strangeness. This has a sort of low-budget look and feel to it but it also manages to conjure up a pretty creepy atmosphere throughout, much to its credit. I watched this with my mouth hanging open a good portion of the time and when the real scares (and gore) came it hit pretty hard. I found this to be a very interesting and disturbing film and liked it a lot. A good little find, this one, I'd give it 8 out of 10." ]

[ "PROS: Akshay Kumar's performance(is it just me or does this guy always manages to trump AB in their movies together?). Some touching scenes in the 2nd half.<br /><br />CONS: The whole 1st hour(the jokes were flat to say the least). Every scene involving Rajpal Yadav. Major stupidity in AB's decision making. Let me get this straight, he believes brutally insulting his son's soul in every possible way(that will likely ruin their relationship beyond repair) is a better way for him to make Akshay finally take some responsibility then actually telling him the truth?? WTF? He considers Akshaye is too soft to bear the fact that his OLD father is soon gonna die due to cancer, but thinks insulting him will make him stronger? Am I the only one who doesn't see the logic here? Easily the movie's biggest flaw.<br /><br />- Akshay becoming a stunt man. LMAO!! We're told he finished 1st in college every year and has a degree in MBA. But when the time arrives to support himself, and his pregnant wife, he becomes a stunt man. LOL!! How abt actually applying for a normal job in ur field? Or Heck, anywhere else where ur life isn't in danger? This is some incredibly dumb writing.<br /><br />- The ending. I hate this sort of melodramatic crap. Everything is pushed down our throats to feel sorry for AB's character, which I couldn't. The entire thing reminded me a little too much of Srk in KHNH(which I hate). This \"please feel sorry for the guy with the illness\" crap has run its course. I felt more like puking than sympathy for the OLD man. Couldn't watch the final 20 or so minutes because of it and thus had to fast fwd. the whole thing.<br /><br />Bottomline: Waqt is just too dumb to be called a good movie. Its obvious director Vipul Shah targeted this at the emotionally fragile chicas and oldies who could care less about a story that actually makes sense. Give 'em some decent song picturizations, fancy outfits, plenty of glycerin-filled scenes and some star power and they'll happily lap-up crap like this." ]